The Olympus OM 250mm 2.0 Zuiko Auto-T is one of those legendary lenses. Only few have been made and there has never been something similar again. So I was very excited to get the chance to have a look at one.
Continue reading Hands On: Olympus 250mm 2.0 OM Zuiko Auto-T
I already reviewed the M-mount version and liked it a lot. Now the native E-mount version has finally been released. Can it hold up to my high expectations?
I am a big fan of the Zhong Yi Mitakon 50mm 0.95 II, but there was definitely room for improvement in some areas, so I was curious to find out if those have been addressed in this redesign. Luckily I got the chance to review one of the early production models, so let us find out if this is a worthy update!
PR: Dear Mr. Li, let me thank you for this opportunity to ask you some questions about your work and the process of designing a lens.
But first we would like to learn a bit more about you. Can you tell us a little bit about your background and your position at 7Artisans?
Continue reading The Man behind the Lens: Li Qing (7artisans 28mm 1.4 FE+)
It seems every two years we see an interesting ultra wide angle FE lens by Laowa. First the Laowa 15mm 2.0 Zero-D FE at Photokina in 2016 and now 2 years later the Laowa 10-18mm 4.5-5.6 C-Dreamer FE at Photokina 2018.
The Voigtländer 10mm 5.6 E held the crown for being the widest rectilinear lens, now we have a zoom lens starting at 10mm but going all the way up to 18mm by Laowa. Is the image quality good enough to get this over the Voigtlander?
Last Update: 100mm filter holder added, handling section updated, more samples added, conclusion updated (03/27/19)
