I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100
This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, but I am not really sure this is the film we were hoping for, let me tell you why.
Processing (C.41) and scanning was done at urbanfilmlab in Germany. The pictures in this article are from two rolls of film.
Continue reading Analogue Adventures – Part 33: Harman Phoenix 200
In 2024 no one really knows anymore what is going on at Fujifilm when it comes to actual analogue film. Apparently the Fujifilm 200 that is being sold in the US is just relabeled Kodak Gold 200 – something absolutely unthinkable of just a few years ago. This Fuji 100 I received from a reader (Thanks a lot!) has been bought directly from Japan though, so it looks like the real deal, let’s have a look at the results together.
Processing (C.41) and scanning was done at urbanfilmlab in Germany.
Some of you may still remember the first part of this series, where I described what analogue cameras I had a look at and why I ultimately ended up with a Leica M6. An F-mount analogue camera was also in strong consideration, but I did not go for it because I did not want to buy a set of F-mount lenses – and the F-mount being a dead mount anyway. But in the meantime some things have changed, so here I am again…
Continue reading Analogue Adventures – Part 31: Which Nikon F-mount film camera to get?
There are already two articles covering Portra 800, but both times they have been developed in the ECN-2 process by Silbersalz35. What was missing was Portra 800 developed in the more common C-41 process, so here we go.
Exposed as ISO640. Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 30: Kodak Portra 800 C-41