Category Archives: Minolta SR mount

User-Guide to wide-angle lenses for Sony a7 a7ii a7rii

Wide-angle lenses Sony a7 ii

We summarize our experience with all the native Sony E-mount wideangle lenses and a few manualones in the 20-35mm bracket to give you a compact resource for choosing the right lens for your Sony a7.

We have no association with any manufacturer apart from occasionally loaning a lens for a review. Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses on the market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.

For lenses below 21mm check out our guide to ultra-wideangle lenses for the Sony a7.

If we have left any question unanswered please leave a comment and we will do our best to answer it.

Sony FE 4/16-35 ZA OSSZeiss 4/16-35

Status: Phillip reviewed a loaner from Sony and bought his own copy more than a year ago. He uses it regularly. Jannik owned but sold it in favor of the Loxia 2.8/21.

Jannik: A lovely lens with decent image quality and effective image stabilization. Personally, I tend to shoot always too wide with such a zoom lens although I miss it’s great versatility.

  • At f/4 the center is excellent across the zoom range, for best corners I would stop down at least to f/5.6, better f/8 where they are quite good.
  • Pronounced distortion at the ends, average vignetting and annoying ghosting for some scenes but fine most of the time.
  • This is neither a light nor a small lens but it isn’t huge either. Build quality is good.
  • A very versatile lens: It covers a very wide focal range with good optical quality and thanks to the stabilizer even on the a7 one can shoot before sunrise without a tripod. The price is significant but justified.

518g | $1348 | full review |  sample images

buy from Amazon.com | Amazon.de | B&H photo  (affiliate links)

Sample Image Sony 4/16-35 OSS

Continue reading User-Guide to wide-angle lenses for Sony a7 a7ii a7rii

Comparison: Minolta MC 1.2/58 vs Canon FD 1.2/55

DSC06601

In todays post I compare two super fast lenses from the late 60’s. The Minolta MC 1.2/58 is a legend and priced as such while the Canon isn’t to popular and one of the most affordable f/1.2 lenses out there.

Sample Images

The following three images are processed with identical settings.


Full resolution: Minolta | Canon


Full resolution: Minolta | Canon


Full resolution: Minolta | Canon

Continue reading Comparison: Minolta MC 1.2/58 vs Canon FD 1.2/55

Minolta MD Rokkor 50mm 1:1.4

under construction

SpecificationsMinolta MD 1.4/50

Diameter63mm
Length40mm
Filter Thread55mm
Weight245g
Max. Magnification1:6.6
Close Focusing Distance from the sensor45cm
Close Focusing Distance from the front of the lens36
Number of aperture blades6
Elements/ Groups7

Price:  (July  2016): about 50€ in good condition at ebay.de or $ at ebay.com (affiliate links).

Versions

Minolta made three optically different 1.4/50 lenses.

  1. The MC Rokkor 50mm 1:1.4 PG is the oldest one with the nicest built quality and very good image quality
  2. The MD Rokkor 50mm 1:1.4 with 55mm filter thread. It is 60gramms lighter than the MC and the close focusing distance decreased from 50cm to 45cm.  This page is about this lens.
  3. The MD (Rokkor) 50mm 1:1.4 with 49mm filter thread.

For more technical details visit the Minolta SR lens index.

Build quality and handling

Builts quality is very good, only the name plate and aperture ring are made from plastic, the rest is made from metal.

All in all it is a rather small lens and it balances very well on the Sony a7. The original lens shade is made from plastics, has a decent size and isn’t too bulky. Because the front element is rather exposed I would recommend using it.

The focusing ring travels around 100° from 45cm to 1m and a further 60° to infinity. The focusing has just the right amount of resistance but it is a bit small (8mm) for my taste.

The aperture ring has half stops from f/2.0 to f/16 and no stop between f/1.4 and f/2.0.
MD50f1p4-3

 

 Image Samples in low resolution

 

weekend

winter detail

return of the light

the mill
You can find many more samples in this flickr set.

Optical performance

These results are based on the use with a Sony Alpha 7.

Bokeh

Minolta MD 50mm 1:1.4 @f/1.4
f/1.4: rather defined outlines
Minolta MD 50mm 1:1.4 @f/2
f/2: still defined outline but noticeably less
Minolta MD 50mm 1:1.4 @f/2.8
f/2.8: much less defined outlines but visible hexagons

Chromatic Aberrations

Sharpness
Minolta_MD_50mmf14 infinty test

Alternatives

Minolta MC 1.2/58: Quite a bit smoother bokeh and 8, not just 6 aperture blades make it a superior lens when bokeh is important. Sharpness is similar, the 1.4/50 might be a tad better. It also costs about 6 times as much and is nearly 150g heavier.

Minolta MC 1.7/55Not as sharp at wider apertures but it has nicer bokeh and is a bit smaller.

Minolta MD 2/50Worse bokeh but it is sharp across most of the frame from f/2, very small and only weights half of the MC 1.4/50. This is reflected in the build quality though. It is also free of lateral CA and distortion which the 1.4/50 is not.

Zeiss C/Y Planar 1.4/50: The Planar has more effective coatings which results in a much better flare resistance and higher contrast at wider apertures. The Minolta is a lot cheaper though.

Canon nFD 1.4/50: The Canon is quite a bit sharper at f/1.4 and f/2 but  and it doesn’t feel nearly as solid. Price is similar.

Zeiss Loxia 2/50: A modern lens which is sharp across the frame from f/2 with high contrast and exif transmission. Bokeh is the only real weakness I found. Oh an the price of course.

Sony FE 1.8/55 ZA: The Sony is super sharp from f/1.8 and it has much smoother bokeh. Manual focus is a pain in the a** though and it is expensive.

Conclusion

A typical 1.4/50 lens: Rather soft wide open, good for portraits by f/2, excellent by f/2.8 but it needs to be stopped down to f/8 for landscapes.

Images Samples in high resolution

Minolta MD 50mm 1:1.4 @f/2
f/2

Minolta MD 50mm 1:1.4 @f/2.8

f/2.8 or maybe f/2.4

Minolta MD Rokkor 1.4/50 @f/4

f/4 – very good sharpness with a notable drop in the far corners

 

Minolta MD 50mm 1:1.4 @f/5.6
f/5.6

 

Minolta MD Rokkor 1.4/50 @f/8
f/8

Further Reading

For more Minolta lenses check out my Minolta list.

To learn about manual lenses in general this beginners guide might be helpful.