With its huge front element the Sigma 105mm 1.4 DG HSM Art is one of the biggest and heaviest short tele lenses ever made. Is it actually worth carrying this massive lens around when there are significantly smaller and lighter 85/105mm f/1.4 lenses available? Let’s find out in this review!
Continue reading Review: Sigma 105mm 1.4 DG HSM Art – The Bokeh Master?
Back in 2008 the Sigma 50mm 1.4 EX was the biggest and most expensive 50mm f/1.4 lens with AF for DSLRs. Now, 17 years later, it looks reasonably sized compared to its modern competitors and can be found used for bargain prices.
But is it a lens still worth considering in 2025? Let us find out in this review!
Update Jan 2025: more samples added
Continue reading Review: Sigma 50mm 1.4 EX – Still worth getting in 2025?
The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film I haven’t used before, so here we are. This did not end how I expected it to though.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200
I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100
No matter the camera system, 28mm f/1.4 fullframe lenses are a rare breed. And when you are looking for one equipped with autofocus, things really start to look dire. In most cases your only option is this Sigma 28mm 1.4 Art, which is also one of Sigma’s last fast primes designed for DSLRs and one where we still did not see a smaller “DN” mirrorless version. Despite all this, is this still a lens you should consider today? Let’s have a closer look.
