After I tried the Visionar 109mm 1.6 I became quite interested in this line of projector lenses as they offer quite a lot of glass for the money. The 183mm 1.9 is the second longest and extreme of the line. So if you are interested in the look of a 180mm 2.0 but don’t want to spend more than 500€ be sure to keep reading!
After I tried the Visionar 109mm 1.6 I became quite interested in this line of projector lenses as they offer quite a lot of glass for the money. The 168mm 1.9 is the third longest of the line. It is quite a bit ligther than the two longer ones, so is it a good compromise?
The Visionar 109mm 1.6 is a cinema projector lens from Carl Zeiss Jena which was made in the GDR. These projector lenses are often very fast and cheap, but they also come with a few downsides. This is the first projector lens we will review at this blog, so find out if there is still a place for these today.
The Carl Zeiss Tele-Tessar T* 4/85 lens was released in late 2008. It is a ZM lens designed for Leica rangefinders, with a very pure long-focus five element three group construction. 85mm lenses may well not suffer from any issues on unmodified Sony sensors, and it’s light and compact for a high quality short tele. It has a reputation for being a wonderfully sharp and contrasty: is it good enough to be a great companion to your Sony, despite being relatively slow? This review may tell you.
| Diameter | 54 mm |
| Length | 85 mm |
| Filter Thread | 43 mm |
| Weight (w/o adapter) | 310 g |
| Max. Magnification (w/o close focus adapter) | 1:9 |
| Close Focusing Distance from the sensor (w/o CFA) | 0.9 m |
| Number of aperture blades | 10 |
| Elements/ Groups | 5/3 |
Continue reading Carl Zeiss Tele-Tessar (ZM) T* 4/85: A Detailed Review
The Flektogon 35mm 2.4 is a highly regarded lens from Carl Zeiss Jena in the former German Democratic Rebpulic. It is the predecessor to the Distagon design still used for many modern lenses. But does this oldie still have a place on today’s digital cameras? Let us find out in this review.
