Category Archives: Vintage

135mm legacy Shoot out: SMC Pentax-M f/3.5 vs Canon nFD f/3.5 vs. Panagor f/2.8

Shoot out: SMC Pentax-M 135mm f/3.5 vs. Canon nFD 135mm f/3.5 vs. Panagor PMC auto tele 135mm f/2.8

In my search for a compact but good budget telelens I came across the SMC Pentax-M 135mm f3.5 and the Canon newFD 135mm f/3.5. Later, I also found a Panagor PMC auto tele 135mm f/2.8 in Canon FD mount. These lenses are cheap, light, and small, but how do they perform?

Disclaimer: I only tested one sample of the Canon and Panagor, and two samples of the Pentax. Since these lenses are old there might be more sample variation than usual, other samples might perform slightly better or worse. Both Pentax samples displayed similar performance. 

Left to right: Panagor, Canon, Pentax

Specifications

Specifications Canon newFD 135mm f/3.5 SMC Pentax-M 135mm f/3.5 Panagor PMC auto tele 135mm f/2.8 (FD)
Diameter 63 mm 63 mm 61 mm
Length 85 mm 66 mm 88 mm
Filter diameter 52 mm 49 mm 55 mm
Weight (ex. Adapter) 325 g 270 g 411 g
Aperture f/3.5-32 f/3.5-32 f/2.8-22
Minimal focus distance 1.3 m 1.5 m 1.5 m
Elements/groups 4/4 5/5 4/4*
Aperture blades 6 8 6

(*Based on the optical design of this lens for other mounts)
Continue reading 135mm legacy Shoot out: SMC Pentax-M f/3.5 vs Canon nFD f/3.5 vs. Panagor f/2.8 →

Hands On: Olympus 250mm 2.0 OM Zuiko Auto-T

Introduction

olympus super tele om 250mm 2.0 180mm 350mm 2.8 review hands on
Olympus OM 250mm 2.0 Zuiko Auto-T on Sony A7rII

The Olympus OM 250mm 2.0 Zuiko Auto-T is one of those legendary lenses. Only few have been made and there has never been something similar again. So I was very excited to get the chance to have a look at one.

Samples

olympus super tele om 250mm 2.0 180mm 350mm 2.8 review hands on bokeh rendering out of focus
Sony A7rII | Olympus OM 250mm 2.0 Zuiko | f/2.0
olympus super tele om 250mm 2.0 180mm 350mm 2.8 review hands on bokeh rendering out of focus
Sony A7rII | Olympus OM 250mm 2.0 Zuiko | f/2.0
olympus super tele om 250mm 2.0 180mm 350mm 2.8 review hands on bokeh rendering out of focus
Sony A7rII | Olympus OM 250mm 2.0 Zuiko | f/2.0

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Review: Contax Zeiss Vario-Sonnar T* 4.5-5.6/100-300

Contax Vario-Sonnar 4.5-5.6/100-300 mounted on my Sony A7III via Novoflex NEX/CONT* adapter and with Novoflex ASTAT-NEX* tripod collar.

The Contax Zeiss 4.5-5.6/100-300 T* MM is a telephoto lens that hit the market in the mid 1990’s. It was also one of the last lenses that were designed for the Contax/Yashica mount. It is rare because it was very expensive in a time when autofocus telephoto lenses were already available. Lets have a closer look at this exotic legend.

Sample Images

Sony A7III | Contax 4.5-5.6/100-300 | full size
Sony A7III | Contax 4.5-5.6/100-300 | full size
Sony A7III | Contax 4.5-5.6/100-300 | full size
Sony A7III | Contax 4.5-5.6/100-300 | full size

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Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4: A review

The Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4 was a standard zoom lens designed for the Yashica and Contax series of film SLR cameras. It was, perhaps, the first standard zoom of truly decent quality throughout its range. You could use it an any focal length and not really have any compromise relative the prime lenses of the time. That cliché “a tube full of primes” was (for once) true of it: at least in its day.

It’s since acquired a kind of cult reputation. Some think it remains the finest standard zoom you can get. But how much of this reputation is due to it being so amazing by the standards of when it was designed in 1982, and how much because it still deserves a place in the kits of some modern photographers? Read on to find out!

Specifications

Diameter 70mm
Length 80.5 mm
Filter Thread 67 mm
Weight (w/o adapter) 475 g
Minimum Focusing Distance 0.7m
Maximum Magnification 1:2.5
Number of aperture blades 8
Elements/ Groups 10/10
The Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4 can be purchased used on eBay.com here.

Image Samples

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Review: Minolta M-Rokkor 90mm 4.0

Introduction

review minolta m-rokkor mrokkor 90mm 4.0 leica elmar cl cle c elmar-c sony a7rii a7riii 42mp high resolution m-mount
Minolta M-Rokkor 90mm 4.0 on Sony A7rII via Hawk’s factory helicoid adapter

Many of you might not even know that Minolta also produced M-mount lenses and even an M-mount camera (Minolta CLE). The M-Rokkor 90mm 4.0 is the longest of the three lenses and thanks to a reader who allowed me to use it for a few weeks I can present you this review now.

Sample Images

review minolta m-rokkor mrokkor 90mm 4.0 leica elmar cl cle c elmar-c sony a7rii a7riii 42mp high resolution m-mount
Sony A7rII | Minolta M-Rokkor 90mm 4.0 | f/4.0
review minolta m-rokkor mrokkor 90mm 4.0 leica elmar cl cle c elmar-c sony a7rii a7riii 42mp high resolution m-mount
Sony A7rII | Minolta M-Rokkor 90mm 4.0 | f/4.0
review minolta m-rokkor mrokkor 90mm 4.0 leica elmar cl cle c elmar-c sony a7rii a7riii 42mp high resolution m-mount
Sony A7rII | Minolta M-Rokkor 90mm 4.0 | f/4.0 | 10mm extension tube

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