The guys from Silbersalz35 were organizing a small Night Photowalk in Stuttgart and part of the package was one roll of their 500T Vision3 cinefilms that you already know from some of my previous articles. I figured this was a good opportunity to find out how the film holds up being pushed one stop so I decided to pay the entry fee and join.
Processing (ECN-2, Push +1) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 23: Silbersalz35 500T Push +1
By now I am pretty sure all of you have already heard of ChatGPT, Midjourney or any of the other artifical intelligences you can now talk to or make use of. Where it got interesting for me, was in early 2023, when Adobe released a Photoshop Beta version with AI features and staggering capabilities. Over the past months I have been using it (for professional work and private stuff) so I wanted to show you some examples where it was useful to me and also how it works.
One thing is for sure, this will vastly disrupt image editing workflows.
The Nikon Nikkor Z 24mm f/1.8 S is the only Nikon 24mm with Z mount. 24mm on a full frame camera is quite wide at the verge of ultra wide angle, which can create dramatic images but at the same time it is not so wide that it makes composing images difficult. It is great for landscape photography, but due to its f/1.8 wide aperture it can also be easily used indoors or in other low light situations. It is a relatively expensive lens for being a 24mm f/1.8, but if this lens’s qualities show to be excellent then it can be considered as a reasonable price. Bear in mind that as Nikon’s only available Z mount 24mm prime it should appeal to all users, including the professionals and if its qualities are satisfactory for professional users then it is a relatively cheap lens. So, let’s see how it performs!
You probably know by now I have a soft spot for the tiny MS-Optics lenses, but there are two major issues with them: they are expensive and the manufacturing quality sometimes leaves something to be desired.
I was always wondering: what if some other company with better manufacturing capabilities would design lenses just as compact? I even pitched the idea to several manufacturers: without success.
But now Funleader and Brightin Star teamed up to do exactly that with this 28mm 2.8 XSlim Pro-M. It looks just like an MS-Optics lens and I have been very curious about it since I first heard of it.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Continue reading Review: Funleader x Brightin Star 28mm 2.8 XSlim Pro-M
The NIKKOR 50mm f/1.4 was the lens that almost all the pro photographers had on their cameras most of the time during the 60s, 70s and 80s and most young and aspiring photographers dreamed of having on their cameras. From an era when Nikon was the undisputed number one 35mm camera/lens system among professional photographers worldwide. The NIKKOR lenses had a reputation for being tough with outstanding quality, both optically and mechanically. This lens was, because of its popularity, in production long after the advent of the autofocus and even digital cameras and was sold new alongside AF and digital lenses until mid 2005. Let’s see how it fares today!
