Review, Sony E-mount, Viltrox

Review: Viltrox AF 35mm 1.2 FE LAB

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Introduction

viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Viltrox AF 35mm 1.2 FE LAB on Sony A7rII

Since its release in 2019 I have been using the Sigma 35mm 1.2 Art DG DN as my main lens for any kind of reportage work. It took until 2025 for another manufacturer to challenge Sigma by releasing a 35mm 1.2 lens with autofocus of their own. Actually, there were two at almost the same time: Nikon with their Nikon Z 35mm 1.2 S and Viltrox with this Viltrox AF 35mm 1.2 FE LAB. As the Nikon lens sells for 3 grand it is out of reach for most people. This Viltrox lens is way more attractively priced, so let’s find out if it is time to retire my Sigma 35mm 1.2 Art DG DN after 6 years of usage. 
Last Update March 2026: new sample pictures added

Sample Images

viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.3
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2
viltrox 35mm 1.2 lab fe pro af bokeh master gm sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma astrophotography z6 z7 z8 z9
Sony A7III | Viltrox AF 35mm 1.2 FE LAB | f/1.2

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Leica M, Review, Thypoch

Review: Thypoch 21mm 3.5 Ksana Epoch

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Introduction

thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Thypoch 21mm 3.5 Ksana on Leica M10

After Simera and Eureka Thypoch’s next lens lineup is called Ksana. The first lens of this series is the Thypoch 21mm 3.5 Ksana. A modern optical design with aspherical element but coatings reminiscent of Canon’s FD lenses from 1973. An interesting combination on paper, so let’s have a closer look!
Lens is being tested on 24mp Leica M10 and 42mp Sony A7rII

Sample Images

thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/5.6
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/5.6
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/3.5
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/3.5 | Ai Denoise
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/3.5
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/8.0 | Ai Denoise
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/3.5
thypoch ksana epoch 73 coating 21mm 3.5 compact leica m10 m11 m9 m8 m10r review 42mp 24mp 61mp contrast sharpness bokeh vignetting limited
Leica M10 | Thypoch 21mm 3.5 | f/11

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Laowa, Leica M, Review, Sony E-mount

Review: Laowa 9mm 5.6 FF-RL

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Introduction

laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Laowa 9mm 5.6 on Sony A7rII

The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Last Update: March 2026

Sample Images

laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Nikon Zf | Laowa 9mm 5.6 | f/5.6
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Sony A7III | Laowa 9mm 5.6 | f/5.6
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Nikon Zf | Laowa 9mm 5.6 | f/5.6
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Sony A7III | Laowa 9mm 5.6 | f/5.6
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Sony A7III | Laowa 9mm 5.6 | f/5.6
Leica M10 | Laowa 9mm 5.6 | f/5.6
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Sony A7III | Laowa 9mm 5.6 | f/5.6
Leica M10 | Laowa 9mm 5.6 | f/8.0
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Sony A7III | Laowa 9mm 5.6 | f/5.6

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Review, Vintage, Zeiss

REVIEW: Carl Zeiss Jena Pancolar 50mm f/1.8 MC

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Introduction

Zeiss Jena designed the first Pancolar 50mm with a maximum aperture of f/2 in 1960, partly to offer a faster and better-performing alternative to the Tessar 50mm f/2.8. As competitors began designing and releasing standard 50mm lenses with f/1.8 apertures, Zeiss found it necessary to respond with a lens of similar specification. The result was the Pancolar 50mm f/1.8, which was designed and produced starting in 1964. It was considered one of the best lenses of its era and remains quite popular today. When this lens was around, I was using Japanese cameras and lenses, so I’ve often wondered whether it was better than what I had. Let’s see how it actually performs by modern standards.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/4.5
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8

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Analogue, Color Negative, Review

Analogue Photography: Part 5 – Kodak ColorPlus 200 at Nostalgic Car Show

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Update January 12, 2026:
After the first publication, several people noted that the colours were off, so I reworked the colour conversion for all the images.
This time I used the Negative Lab Pro software for conversion.
What you see now are the updated versions.

Introduction

In my previous articles, I explored two of the most classic and iconic black-and-white films: Kodak Tri-X and Ilford HP5 Plus. Now I turn my eye to a classic colour negative stock — Kodak ColorPlus 200.

This film is said to be based on an older emulsion technology, one tracing back to the 1970s and 1980s (Kodacolor II / Kodacolor VR). That actually makes it older than Kodak Gold, which many already consider to have a vintage look. So this one should offer an even more vintage feel. Let’s have a look at the images.

Continue reading Analogue Photography: Part 5 – Kodak ColorPlus 200 at Nostalgic Car Show →

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