Many of us here at the Phillipreeve team acquire too many lenses (and sometimes also accessories) and with some of the manufacturers it also isn’t easily possible to return the review samples after we reviewed them, therefore a bunch of stuff is for sale. Update February 23rd, 2025: removed sold items I will ship to … Continue reading Lens & Accessory Spring Sale
We summarize our experience with all the native E-mount and a few manual legacy lenses in the 9-18mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. In this summary we also included some adapted lenses we think are worth mentioning. We … Continue reading Guide to Ultra Wideangle lenses for the Sony A7/A9/A1 Series
Introduction This is another article where the idea came from one of our Discord member, that asked what I do to keep my cameras and lenses clean. I don’t do a lot, but what I do is described in this article.
Introduction Classic rangefinder lenses usually spot less staggering minimum focus distances compared to (D)SLR and the latest lenses for mirrorless cameras because of how focusing with rangefinder cameras works. In 2022 several manufacturers are offering close focus adapters. These adapters have their own additional helicoid which allows you to focus your lenses much closer than … Continue reading Leica M to Sony E Close Focus Adapters
Santacolor100 was introduced via a crowdfunding campain run by the guys from Kamerastore.com in Finland and is actually respooled Kodak Aerocolor 125 air surveillance film (not to be mistaken for the Aerochrome, more on that later). This is one of the few affordable color negative films these days, so of course I had to give … Continue reading Analogue Adventures – Part 37: Santa Color 100