All posts by Phillip Reeve

I have two hobbies: Photography and photographic gear. Both are related only to a small degree.

Short Review: Olympus OM Zuiko MC 100mm 1:2.8

dsc00231

The Olympus OM 100mm 1:2.8 is a tiny lens and yet a solid performer. In this shorter review I give you my impressions.

Specifications

Diameter 60 mm
Length 50 mm
Filter Thread 49 mm
Weight 230 g
Max. Magnification 0.12
Close Focusing Distance from the sensor 1 m
Number of aperture blades 6
Elements/ Groups 5/5
The Olympus OM 2.8/100 usually sells for around $90 used at ebay.com (affiliate link). 
In Germany you can buy it used for around 90 at ebay.de (affiliate link). 

Image Samples

Just click on any image to get to the full resolution version.

olympus_om_100mmf2p8-5

olympus_om_100mmf2p8-39

olympus_om_100mmf2p8-25

Continue reading Short Review: Olympus OM Zuiko MC 100mm 1:2.8

Making of series part 1: “The Path” with Olympus OM 3.5/28

post-55357-0-13047500-1478624954

When I took this picture in late August I was working all day on some papers for university, so after many hours behind the desk some sport and photography was well earned.

In the Bag

I packed my small camera bag* with the lightest lenses I could find in my cabinet: a Olympus OM 3.5/28*, Zeiss C/Y 1.7/50* and Olympus OM 2.8/100.* Since I had some strenuous cycling before me I didn’t want to carry any unnecessary weight and I knew that I could capture about anything with this little setup. Of course one is always a bit limited by just three lenses. But I think it is a good exercise to be limited and to be out there is much more important than to have the absolutely best gear anyway.

*=Affiliate link

Continue reading Making of series part 1: “The Path” with Olympus OM 3.5/28

Review: Olympus OM Zuiko Auto-T 100mm 1:2

Olympus_Zuiko_100mmf2-1-7

The Olympus OM 100mm 1:2 is by some margin the best manual portrait lens I have used on my Sony a7. Read on if you want to know why.

Specifications

Diameter 72 mm
Length 72 mm
Filter Thread 55 mm
Weight 520 g
Max. Magnification 0.2
Close Focusing Distance from the sensor 70 cm
Number of aperture blades 9
Elements/ Groups 7/6, floating elements
The Olympus OM 2/100 usually sells for around $750 used at ebay.com (affiliate link). 
In Germany you can buy it used for around 650 at ebay.de (affiliate link). 

Image Samples

olympus_om_zuiko_100mmf2-7

olympus_om_zuiko_100mmf2-48

olympus_om_zuiko_100mmf2-50

Continue reading Review: Olympus OM Zuiko Auto-T 100mm 1:2

Leica R mount lenses

Some time ago I had the chance to put several older Leica lenses to the test, here are the results.

I have never actually used any of these lenses, I just had them for a couple of minutes to shoot a test series.

I only had one copy per lens so my results might not be representative for other lenses,

Leitz Super-Angulon-R 1:4/21SuperAngulon21

Typical performance for UWA lens of it’s era.

The center is very good from f/4, midframe is okayish and the corners are soft.

Stopped down to f/11 even the corners are sharp but not very much so. CA is controllled quite well.

My Canon nFD 2.8/20 is a better performer for a whole  lot less money, but there are many other legacy lenses in the 20/21mm range which have worse corners.

Test

Leitz Wetzlar Elmarit-R  1:2.8/28Elmarit28

A pretty unremarkable performance, my 20 bucks Minolta MD 2.8/28 is slightly better.
At f/2.8 the center is a lillte soft, the midframe is noticeably worse and the corners are pretty bad.
It takes f/11 for the corners to sharpen up to very good levels.

Test

 

Leitz Summicron-R 1:2/50Summicron50

This lens showed an interesting performance pattern.

At f/2 the center is only ok,  my other lenses like the Minolta MC 1.4/50 or Canon nFD 1.4/50 are noticeably sharper in the center at f/2. What is remarkable is that the corners are the best I have seen in any legacy 50mm lens at f/2.

At f/2.8 the center sharpens up a lot to excellent levels.

By f/4 the lens shows very good sharpness from corner to corner which is a stop earlier than I would expect from my Canons or Minoltas.

At F/5.6 it is excellent from corner to corner.

I think this is an excellent landscape lens  but for general purposes I would prefer other lenses because of the under performing center at f/2. My analysis is based on the analysis of these infinity shot so my conclusion might be a different one if I would use it for actual shooting.

Test

Leitz Tele-Elmarit-M 1:2.8/90Elmarit90

This is a very small lens with very good performance in the center and midframe from f/2.8 with a hint of purple fringing. The corners at f/2.8 are soft.

At f/4 the center improves to excellent levels, the other regions don#t see much improvement.

By f/11 the corners have reached a good level.

I think this lens will work quite well as a very compact portrait lens but for serious landscape work I would leave it at home.

Test

Leitz APO-Telyt-R 1:3.4/180telyt180apo

Writing about a lens is always easier when there are no defects to describe.

The lens shows excellent sharpness from f/3.4 corner to corner with only the smallest hint of CA in the corners.

Test

 

Conclusion

Based on these results I don’t get all the fuss about Leica lenses.

Sure, all lenses had a very nice finish, nicer than that of other manufacturers .

But if I look at the performance it is pretty similar to that of other lenses of the same era. The only lens which stood out was the 3.4/180 APO but I would suspect that a Nikon 2.8/180 ED AI-S isn’t any worse.

Of course there are other very important aspects about lenses which I couldn’t experience like bokeh, color and contrast or handling etc. but I would be surprised if these lenses performed that much better in these aspects than other lenses.

From what I have read and seen the more modern lenses from the 90’s and later are in fact often better than the designs of other manufacturers, but that’s not the case here.


This site contains affiliate links. If you make a purchase using any of the links marked as affiliate links, I may receive a small commission at no additional cost to you. This helps support the creation of future content.