Tag Archives: FE

Review: Zeiss Batis Apo Sonnar T* 135mm f2.8

Introduction

The blogosphere melted down with frustration when the 135mm Batis was announced. Too slow and too expensive was the common verdict. But it’s also much lighter than the fastest medium teles, and faster and more convenient than the smallest. So is this lens the ideal compromise, or is it stranded uselessly between the fastest and the smallest? That will depend on performance, and handling. This review looks at just those issues.


Sample Images

Images can be seen and downloaded in full resolution here.

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Sony A6500 vs. Sony A7II comparison – which one is the smarter choice?

With the Sony A6500, Sony has entered the terrain of semi-professional crop cameras. The camera is significantly higher priced than other Sony APS-C cameras, and is directly competing with other smaller format flagship cameras like Fuji X-T2, Nikon D500, Olympus OMD-EM1 Mk2 or the Canon Eos 7D Mk2.

Furthermore, the Sony A6500 is now similarly (or even higher) priced than the Sony A7II. This leaves open the question for many people as to whether they should really spend that much on an APS-C camera, or if they should get a full frame body instead. The comparison is obvious, and legitimate, because the cameras share a few key specifications – like sensor resolution, mount, and sensor stabilization. Let’s check what sets these cameras apart from each other.

Sony A7II | Sony FE 1.8/55 ZA
Sony A6500 | Sony 1.8/24
Sony A6500 | Sony 1.8/55 ZA

Continue reading Sony A6500 vs. Sony A7II comparison – which one is the smarter choice?

Review: Sony FE 1.8/85

Introduction

We are happy to see that Sony keeps expanding it’s budget lens lineup. Especially the Sony FE 2/28 reflects a great value for the price, we also liked the Sony 2.8/50 Macro. The Sony FE 1.8/85 is the latest addition to it.

On the paper, the lens seems to hit a sweet spot between cost, brightness, size and weight. Let’s check if the lens can also deliver optically.

Sample Images

Sony A6500 | Sony FE 1.8/85 | f/2.8 | full resolution
Sony A7 II | Sony FE 1.8/85 | f/9 | full resolution
Sony A7 II | Sony FE 1.8/85 | f/1.8 | full resolution

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Review: Sony FE 2.8/24-70 GM

Introduction

Since the introduction of the Sony A7-series cameras, many people asked for well performing f/2.8 zooms.  Although it negates the approach of the small bodies, Sony listened to their customers and developed the no-compromise GM(aster) lens lineup. The Sony FE 2.8/24-70 GM is the first lens of this new series in our hands.  In this review I will check the performance of my own copy which I have used for the last three months.

Sample Images

Sony A7II | Sony FE 24-70mm 2.8 GM | 24mm f/10 | full resolution
Sony A7II | Sony FE 24-70mm 2.8 GM | 31mm f/16 | full resolution
Sony A7II | Sony FE 24-70mm 2.8 GM | 70mm f/2.8 | full resolution

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Review: Zeiss Loxia 2.8/21 Distagon T*

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Since the introduction of the Contax Distagon 2.8/21 in the 1980’s, the 21mm lenses from Zeiss have a long and glorious history of being some of the best wide angle lenses in the world. While the Loxia 2.0/35 and the Loxia 2.0/50 are refined ZM-Designs, the Zeiss Loxia 2.8/21 is the first Loxia lens that features a new optical design. Lets have a look if the Loxia 2.8/21 can keep the heritage alive.
31/05/17 Update by Bastian: I have been using this lens regularly for a year now and Jannik asked me if there is anything I would like to contribute to his review, so I added a few notes and sample images.

Sample Images

Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II
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Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II | Full Size
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Zeiss Loxia 2.8/21 | f/2.8 | ISO 100 | Sony A7R

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