Tag Archives: FE

Rolling Review: Tamron 28-75mm f/2.8 Di III RXD

Introduction

The Tamron 2.8/28-75 Di III RXD is the first third party E-Mount autofocus zoom lens. I am excited about this lens because it defines a milestone for the E-Mount system: until now, we only had a choice between Sony’s budget line, Samyang and the other (super-)expensive Sony/Zeiss options. The three classic third party manufacturers (Sigma, Tamron, Tokina) have been very tentative in their commitment to the E-mount system, and this lens is the first one that really changes this situation. The specs of the lens look spectacular on the paper, so let’s find out about its performance in the field.

In this review I will check the performance of my own copy.

Sample Images

Tamron 2.8/28-75 | Sony A7iii | 36mm | f/10
Tamron 2.8/28-75 | Sony A7iii | 28mm | f/2.8
Tamron 2.8/28-75 | Sony A7iii | 75mm | f/3.5

Continue reading Rolling Review: Tamron 28-75mm f/2.8 Di III RXD

Sony FE 1.8/85 vs. Sony FE 1.4/85 GM – The Big Shootout

This is the long promised Sony FE 1.8/85 vs. Sony FE 1.4/85 GM shootout. This article should clarify what the  differences between these lenses are. Even the physical appearance sets both lenses apart. Does the FE 1.4/85 GM also punch in a higher class optically, or just in terms of size and weight? Let’s find it out.

This is a classic shootout article. For sample images and further informations, check out the dedicated lens reviews of the Sony FE 1.8/85 and the Sony FE 1.4/85 GM (coming soon).

Continue reading Sony FE 1.8/85 vs. Sony FE 1.4/85 GM – The Big Shootout

Review: Zeiss Batis Apo Sonnar T* 135mm f2.8

Introduction

The blogosphere melted down with frustration when the 135mm Batis was announced. Too slow and too expensive was the common verdict. But it’s also much lighter than the fastest medium teles, and faster and more convenient than the smallest. So is this lens the ideal compromise, or is it stranded uselessly between the fastest and the smallest? That will depend on performance, and handling. This review looks at just those issues.


Sample Images

Images can be seen and downloaded in full resolution here.

Continue reading Review: Zeiss Batis Apo Sonnar T* 135mm f2.8

Sony A6500 vs. Sony A7II comparison – which one is the smarter choice?

With the Sony A6500, Sony has entered the terrain of semi-professional crop cameras. The camera is significantly higher priced than other Sony APS-C cameras, and is directly competing with other smaller format flagship cameras like Fuji X-T2, Nikon D500, Olympus OMD-EM1 Mk2 or the Canon Eos 7D Mk2.

Furthermore, the Sony A6500 is now similarly (or even higher) priced than the Sony A7II. This leaves open the question for many people as to whether they should really spend that much on an APS-C camera, or if they should get a full frame body instead. The comparison is obvious, and legitimate, because the cameras share a few key specifications – like sensor resolution, mount, and sensor stabilization. Let’s check what sets these cameras apart from each other.

Sony A7II | Sony FE 1.8/55 ZA
Sony A6500 | Sony 1.8/24
Sony A6500 | Sony 1.8/55 ZA

Continue reading Sony A6500 vs. Sony A7II comparison – which one is the smarter choice?

Review: Sony FE 1.8/85

Introduction

We are happy to see that Sony keeps expanding it’s budget lens lineup. Especially the Sony FE 2/28 reflects a great value for the price, we also liked the Sony 2.8/50 Macro. The Sony FE 1.8/85 is the latest addition to it.

On the paper, the lens seems to hit a sweet spot between cost, brightness, size and weight. Let’s check if the lens can also deliver optically.

Sample Images

Sony A6500 | Sony FE 1.8/85 | f/2.8 | full resolution
Sony A7 II | Sony FE 1.8/85 | f/9 | full resolution
Sony A7 II | Sony FE 1.8/85 | f/1.8 | full resolution

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