Category Archives: camera

Guide to the best 50mm Lenses for full frame Sony E-mount cameras: A7/A9/A1

zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review
Sony A7rII | Zhong YI 50mm 0.95 M | f/0.95

The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Others of us are less keen, finding it usually too short or too long. Obviously there is no right answer here, it depends on how each photographer sees the world.

We also have a general guide to FE-lenses, 9-18mm ultra wide angle lenses, guide to 20-28mm wide angle lenses, 35mm lenses, 85-200mm portrait lenses and macro lenses.

But it is a very versatile focal length with a wide range of applications. It can be used for slightly formal portraits, moderately environmental portraits, landscape, architecture – most things except wildlife or sport. You can also, with a little quality loss, crop down to a more formal portrait angle of view, and you can – with a gain in both quality and hassle – stitch frames to get wider angles of view for certain kinds of landscape.

In this article we summarize our experience with all the native E-mount 50mm lenses to give you a independent resource in one place for choosing the best 50 mm lens for your needs. We will cover AF E-mount, MF E-mount with electronic contacts, and lenses with the E-mount but no contacts.

Unlike most other review sites we have no association with any lens manufacturer apart from occasionally borrowing a lens for a review. We prefer independence over fancy trips and nice meals.

Before discussing each lens, we tell you which of us had or has the lens, and whether it was purchased or borrowed for review. In most cases we have bought the lenses new from retail stores or on the used market. 

If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.

If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you.

Last update: March 2025, Sigma 50mm 1.2 and Sony 50mm 1.4 GM added, Sony 50 1.2 GM, 50mm 2.5 G and Sigma 50mm 2.0 DG DN updated, cleaned up

Continue reading Guide to the best 50mm Lenses for full frame Sony E-mount cameras: A7/A9/A1

Review: Sony FE 50mm 2.5 G

Introduction

fe 50mm 2.5g 2.5 g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony FE 50mm 2.5 G on Sony A7rII

In early 2021 Sony released three compact fullframe E-mount lenses and this Sony FE 50mm 2.5 G is the longest of those. While many of the competitors often cut corners with their compact lenses when it comes to build quality, feature set and sometimes also optical quality, Sony decided to go for a different approach here, offering more, but also at a higher price point. Did that pay off? And is there a market for a comparably slow 50mm prime? Let’s find out in this review!

Sample Images

fe 50mm 2.5g 2.5 g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 50mm 2.5 G | f/2.5
fe 50mm 2.5g 2.5 g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 50mm 2.5 G | f/8.0
fe 50mm 2.5g 2.5 g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 50mm 2.5 G | f/2.5
fe 50mm 2.5g 2.5 g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 50mm 2.5 G | f/2.5
Sony A7III | Sony FE 50mm 2.5 G | f/2.5

Continue reading Review: Sony FE 50mm 2.5 G

REVIEW/COMPARISON: Laowa FF II TS 55mm & 100mm f/2.8 Macro 1X

Introduction

Laowa FF II TS 55mm f/2.8 1X Macro on Nikon Z7II
Laowa FF II TS 55mm f/2.8 1X Macro on Nikon Z7II

UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.

The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.

While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.

The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs

Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.

camera-icon2I tested these lenses on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in higher resolution here

Sample Images

Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/11
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/11
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/5.6 (Shift panorama)
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/5.6 (Shift panorama)
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 No Tilt
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/2.8 | Tilted

Continue reading REVIEW/COMPARISON: Laowa FF II TS 55mm & 100mm f/2.8 Macro 1X

Travel Diary: An Arctic Trip (Day 4)

Nikon Z6 | Nikkor Z 24-70/4 S | f/11
Nikon Z6 | Nikkor Z 24-70/4 S | f/11

This diary entry covers our fourth day of the trip. For details on previous days, see the ‘Further Reading’ section at the end of the article.

Youtube small iconSee the video of An Arctic Trip; Day Four on YouTube
Sample-Image-iconSample images in high resolution here.

On the fourth day of our trip, the weather was clear and at sunrise a beautiful light fell on the snow, so I went out alone to take pictures.

Nikon Z6 | Nikkor Z 24-70/4 S | f/8
Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8
Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Continue reading Travel Diary: An Arctic Trip (Day 4)

Review: Sony FE 24-50mm 2.8 G

Introduction

fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony FE 24-50mm 2.8 G on Sony A7rII

When it comes to standard zoom lenses, Sony offers a lot of interesting options. For those most interested in a wide zoom range the Sony FE 20-70mm 4.0 G might be the most appealing option, but if f/4.0 doesn’t cut it and the 24-70mm 2.8 GM lenses are too big and/or too expensive, Sony also has a solution: this Sony FE 24-50mm 2.8 G. Can its optical performance keep up with the GM zooms? Let’s find out in this review!

Sample Images

fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 50mm | f/2.8 | polarizer
fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0 | polarizer
fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0
fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 35mm | f/2.8
fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 24mm | f/8.0
fe 24-50mm 24-50 2.8 g 2.8g sony 42mp 61mp a7rii a7riv a7riii a1 a9iii a7rv review resolution sharpness contrast bokeh vignetting coma
Sony A7III | Sony FE 24-50mm 2.8 G | 50mm | f/2.8

Continue reading Review: Sony FE 24-50mm 2.8 G