The Sony FE 85mm 1.4 GM is my favorite portrait lens out of the almost 300 lenses I have used so far. Being one of the first GM lenses, it features a comparably slow autofocus and some of the recent competitors offer higher contrast and resolution at f/1.4, so Sony decided to update this lens. Does it still have the bokeh qualities of the first generation 85mm 1.4 while making it smaller and sharper? Let’s find out in this review.
Sample Images
Nikon Zf | Megadap ETZ21Pro | Sony FE 85mm 1.4 GM II | f/1.4 | Ai DenoiseNikon Zf | Megadap ETZ21Pro | Sony FE 85mm 1.4 GM II | f/1.4 | Ai DenoiseSony A7III | Sony FE 85mm 1.4 GM II | f/1.4Nikon Zf | Megadap ETZ21Pro | Sony FE 85mm 1.4 GM II | f/1.4Nikon Zf | Megadap ETZ21Pro | Sony FE 85mm 1.4 GM II | f/1.4Nikon Zf | Megadap ETZ21Pro | Sony FE 85mm 1.4 GM II | f/1.4 | Ai Denoise
The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Others of us are less keen, finding it usually too short or too long. Obviously there is no right answer here, it depends on how each photographer sees the world.
But it is a very versatile focal length with a wide range of applications. It can be used for slightly formal portraits, moderately environmental portraits, landscape, architecture – most things except wildlife or sport. You can also, with a little quality loss, crop down to a more formal portrait angle of view, and you can – with a gain in both quality and hassle – stitch frames to get wider angles of view for certain kinds of landscape.
In this article we summarize our experience with all the native E-mount 50mm lenses to give you a independent resource in one place for choosing the best 50 mm lens for your needs. We will cover AF E-mount, MF E-mount with electronic contacts, and lenses with the E-mount but no contacts.
Unlike most other review sites we have no association with any lens manufacturer apart from occasionally borrowing a lens for a review. We prefer independence over fancy trips and nice meals.
Before discussing each lens, we tell you which of us had or has the lens, and whether it was purchased or borrowed for review. In most cases we have bought the lenses new from retail stores or on the used market.
If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.
If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you.
Last update: March 2025, Sigma 50mm 1.2 and Sony 50mm 1.4 GM added, Sony 50 1.2 GM, 50mm 2.5 G and Sigma 50mm 2.0 DG DN updated, cleaned up
In early 2021 Sony released three compact fullframe E-mount lenses and this Sony FE 50mm 2.5 G is the longest of those. While many of the competitors often cut corners with their compact lenses when it comes to build quality, feature set and sometimes also optical quality, Sony decided to go for a different approach here, offering more, but also at a higher price point. Did that pay off? And is there a market for a comparably slow 50mm prime? Let’s find out in this review!
Sample Images
Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/8.0Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/2.5Sony A7III | Sony FE 50mm 2.5 G | f/2.5
UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.
The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.
While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.
The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs
Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.
Sony α | Leica M | Nikon Z/F New articles every week
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