After the success of their compact and affordable f/2.8 zooms Tamron has released a pair of f/2.8 primes: A 2.8/24 and 2.8/35. In this review I check, if the 2.8/24 is another big hit.
Most images in this review can be found in full resolution here.
The Sigma 35mm 1.2 Art DG DN is the first true full frame mirrorless lens designed by Sigma and also the first full frame 35mm f/1.2 AF lens. Is this finally the high quality 35mm lens we have been waiting for?
Update 12/19: experiences after 4 months of usage added
The Nikon AF-S 58mm 1.4G is a lens disregarded by many for its high price and subpar test results, yet some love it for its rendering qualities and claim it is the best lens in this focal length range for portraiture. Therefore I have always been intrigued by this lens and thanks to a reader I now got the chance to have a closer look at it and present you this review to find out if it is actually better than its reputation.
Update 2024: general update of the whole review
Update 2025: CA section reworked, additional sample pictures added
Continue reading Review: Nikon AF-S 58mm 1.4G – Better than its reputation?
The Canon nFD 3.5/135 is a small, light and very affordable tele lens. Is the 40+ years old lens it still a contender in a world full of super fast and large 135 mm lenses?
This is a short comparative review that is technical in nature with no sample images. There is a tremendous amount of overlap between the 75 and 80 Lux. Read my 75 Lux review here. The major differentiators I examine in this post.
I have never seen any rigorous testing of the 75 versus 80 Lux. I have owned them both at separate times, always feeling the 80 Lux was a little softer, less corrected and with more character. I’ve spoken with several shooters who have experienced both lenses and voiced a similar opinion–descriptions like more “vintage,” “magical” and “gentler” come up. After writing the 75 Lux review and trying to save some money, my curiosity got the better of me and I picked up an 80 Lux to potentially sell my 75 Lux.
After shooting the 75 Lux for nearly 2 years solid, I was surprised when viewing my first batch of 80 Lux files. The signature is quite similar, but the distinctions are definitely there, and without pixel peeping. More than I recalled or anticipated. It was noticeable enough that I’ve decided to make this post for those curious. I figured there was a strong chance the renderings were so similar I wouldn’t bother.