No matter the camera system, 28mm f/1.4 fullframe lenses are a rare breed. And when you are looking for one equipped with autofocus, things really start to look dire. In most cases your only option is this Sigma 28mm 1.4 Art, which is also one of Sigma’s last fast primes designed for DSLRs and one where we still did not see a smaller “DN” mirrorless version. Despite all this, is this still a lens you should consider today? Let’s have a closer look.
When Sony released the first affordable fullframe camera with the A7 in 2013 almost none of the enthusiast photographers were aware of issues related to filter stack differences. Filter stack describes what is in front of the sensor and different manufacturers decided to go for different thicknesses here that can influence how our lenses perform. If you stay within just one system this is usually not something to care about, but when adapting lenses it is very helpful to be aware of this topic.
In this article I try to tell you about these differences and for what lenses they matter, so you can find out if it is something that might affect you.
To me, fast 28mm fullframe lenses are very useful. No matter where I go, I either carry a fast 28mm or a fast 35mm lens. When it comes to the 28mm focal length we are not exactly blessed with great options though. I gathered six of those ranging from f/1.2 to f/1.5 and will compare them, to give you an idea which might work best for your needs.
Last update: February 2025
Continue reading Comparison: Fast 28mm f/1.2 | f/1.4 | f/1.5 Fullframe Lenses
If you ask all the photographers, which single prime lens they would choose if they could own only one lens in the world, the majority would say the 35mm, and most of the rest would say a fast 35mm. This is because it is one of the most versatile prime lenses. Although it’s a wide-angle lens, it is sometimes referred to as the alternative normal lens because it is so close to the standard focal length that it does not distort the subject much. With such lenses, you can also get a good background separation with a nice bokeh. They are useful in almost all kinds of photography, especially in everyday photography, street photography, environmental portraits, landscapes, weddings, events, and travel. Additionally, it works well for stitched astrophotography.
Its popularity has led to numerous 35mm lenses being produced by various manufacturers from the early days of photography to the modern era. In this article, I will compare six of them, from vintage to old to new. Let’s have a look together!
Do you want to use Sony E mount lenses on your Nikon Z cameras? Maybe you want to switch systems and go from Sony E to Nikon Z, but you have some or many Sony E lenses you want to keep and use. Or maybe you just like one of the Sony GM lenses or a lens from a 3rd party that is available in Sony E but not in Nikon Z? No worries, for any reason it is, you can use Sony E lenses on your Nikon Z camera through a mount adapter.
I have been using two adapters; Megadap ETZ21 PRO and Techart TZE-01. I compare them against each other and give you my thoughts here. Let’s have a look!
UPDATE (August 21, 2024):
Neewer has come up with a new option, their ETZ adapter shows the focus confirmation (green box) even with completely manual lenses without any electric contact when used on Nikon Zf and Z6iii, while the two tested adapters here can not do that.