In early 2023 I managed to buy two rolls of the ORWO Wolfen NC 500 color negative film and it is something special for several reasons, so let’s have a closer look.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 25: Wolfen Color NC500 ECN-2
The Voigtlander VM 35mm 1.2 III Nokton is already the third iteration of the world’s fastest 35mm M-mount lens. What has changed compared to the predecessors? How does it compare to the competition? Is it any good? Let’s find out together in this review.
Lens is being tested on 42mp Sony A7rII, 24mp Leica M10 and film cameras
Last Update: September 2023 (samples, coma section, conclusion)
After buying the Leica M6 I bought whatever films I could find and among those also was an Agfa APX400 black and white film. It was lying in the fridge for more than a year before I finally conviced myself to use it.
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.
The guys from Silbersalz35 were organizing a small Night Photowalk in Stuttgart and part of the package was one roll of their 500T Vision3 cinefilms that you already know from some of my previous articles. I figured this was a good opportunity to find out how the film holds up being pushed one stop so I decided to pay the entry fee and join.
Processing (ECN-2, Push +1) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 23: Silbersalz35 500T Push +1
After my experience with the Voigtländer 35mm 1.4 Classic I haven’t exactly been interested in spending any more time with lenses from Cosina’s Classic line (which is not to be mistaken for their Vintage line). That being said the acquisition of a Minolta CLE got me interested in a compact 40mm M-mount lens and this Voigtlander VM 40mm 1.4 Nokton Classic is actually the cheapest option available, so here we are.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10 as well as some analogue cameras.
