Those of you who read my Sony A7II vs. Sony A6500 comparison know that I have been curious about the Fujifilm X-T2 for quite some time, I am still looking for a reliable, handy and fast camera to take pictures of people, especially children. Neither of the cameras that I have used so far could satisfy me completely, therefore I decided to take a look over the fence.
The Fujifilm X system is to me the most obvious alternatives to the Sony FE system. The approach to offer as many manual controls as possible as well as the broad but reasonable lens lineup and fast AF are very appealing to me. So when I got the chance to give the system a try I jumped on it. I will use a Fujifilm X-T2 with four lenses for a month. Will it suit my needs?
The shot above can be found in higher resolution here.
With the increased High ISO capabilities of even entry level cameras astrophotography has become available to almost anyone. But if you want your files to show low noise and high dynamic range – or you want to print big – it might be worthwhile using some of the techniques I am going to show you in this article.
For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…
When I decided to use only my 45-years-old Minolta MC 1.7/55 in February I had only one basic idea: I wanted to get out of my comfort zone because I know that I improve my skills much faster in anything if I can’t rely on my routines. And I guess I was also curious how I would fare without all the fancy gear I normally use.
During the project I tried to take pictures everyday and I also created additional challenges for myself: One day I only allowed myself to take 5 pictures and on another I had to photograph in conditions I had little experience in.
The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.