When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look. Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 2 rolls.
Since I bought my first E-mount camera seven years ago I have been using adapted M-mount lenses. Missing Exif data have always been a nuisance though and while the “Lens Compensation” camera app was a ray of hope, it didn’t exactly work all that well.
Now TTArtisan came up with a product which I have pitched to so many manufacturers before: a semi programmable Leica-M to Sony-E adapter. Let’s have a closer look!
For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.
A small company with the name of Silbersalz35 from Stuttgart is offering repacked Kodak Vision 3 cinema film to be used in ordinary still photography 35mm cameras. They offer four different films: 50D, 200T, 250D and 500T which I all tried. There are some quirks – but also a lot to like – so let’s have a closer look. Processing and scanning was done at Silbersalz35 in Germany.
Manual Lenses | Sony Alpha | New articles every Tuesday
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