The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.
I am a gear head. How do I know? Because I own about a dozen normal lenses.
Usually I enjoy the choice I have but I was asking myself what would happen if I had no choice and could use only one lens for a whole month? There is only one way to find out and so I decided that I would limit myself to the Minolta MC Rokkor 1:1.7 55mm which is 45-years-old and cost me $25.
When I started the project I was curious how it would affect my photography. I have always progressed the fastest when I was outside of my comfort zone and I expected that this project would give me many experiences outside my comfort zone.
In this post I will recapitulate my experience so far.
Day 1: Black and White
On day one I decided that the lens alone wouldn’t push me outside of my comfort zone enough so I decided to give myself additional challenges each day which would make the project more interesting.
For day one this was photographing in black and white only because color is usually essential for my pictures. I think it worked quite well as did using 55mm for zoo images.
Day 2: Unknown territory
On the Easter weekend 2016 I was rather spontaneously visiting famous Cinque Terre in Italy. The weather forecast was quite alright, but as I was only on a two night stay, I had very limited time (and blue hours) so I had to make the best of it…
In the Bag
As usual when on a trip I was using my Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Nikon AF-S 20mm 1.8G, review sample of the Zeiss Loxia 35mm 2.0, Voigtlander Nokton 50mm 1.5 and the Leica Summicron 90mm 2.0. In the upper compartmend I also carried a Nikon Ai-s 180mm 2.8 ED which I didn’t use once on the trip (therefore sold now). I also carried a small Gitzo traveler tripod, a mini tripod and a few filters. With the small lenses the backpack still has some space left for water and food. Now even more, as I won’t carry a longer tele anymore…
A german version of this article can be found here.
Better late than never: We wish all of our readers a great and succesful year 2017! Thank you for reading our blog and for all your contributions and comments. This is our retrospective conclusion of the favorite images that we took in the passed year.
2016 was a very eventful year for me. Not all of those events were pleasant but photography was always a great compensation even in stressful times.
The blog is more about gear than about photography and I view my obsessions with gear and photography as two more or less separate hobbies of mine but it is also a pleasure (most of the time at least, the G 4/70-200 review which has been in the making for months now has been very frustrating to so far ;)) for me to discover new lenses, to share my experiences and to receive the great feedback I get here.
In early 2016 I also made the lucky decision to invite Jannik and Bastian to join the team of this blog. In them I have found two soulmates who are as crazy about lenses as I am. Behind the scenes we constantly discuss gear, photos and articles which is a great source of motivation. And of course both have since then written many well received articles and together we can bring many more lenses to your attention than I could alone.
When I took this picture in late August I was working all day on some papers for university, so after many hours behind the desk some sport and photography was well earned.
In the Bag
I packed my small camera bag* with the lightest lenses I could find in my cabinet: a Olympus OM 3.5/28*, Zeiss C/Y 1.7/50* and Olympus OM 2.8/100.* Since I had some strenuous cycling before me I didn’t want to carry any unnecessary weight and I knew that I could capture about anything with this little setup. Of course one is always a bit limited by just three lenses. But I think it is a good exercise to be limited and to be out there is much more important than to have the absolutely best gear anyway.