Category Archives: Vintage

REVIEW: Carl Zeiss Jena Pancolar 50mm f/1.8 MC

Introduction

Zeiss Jena designed the first Pancolar 50mm with a maximum aperture of f/2 in 1960, partly to offer a faster and better-performing alternative to the Tessar 50mm f/2.8. As competitors began designing and releasing standard 50mm lenses with f/1.8 apertures, Zeiss found it necessary to respond with a lens of similar specification. The result was the Pancolar 50mm f/1.8, which was designed and produced starting in 1964. It was considered one of the best lenses of its era and remains quite popular today. When this lens was around, I was using Japanese cameras and lenses, so I’ve often wondered whether it was better than what I had. Let’s see how it actually performs by modern standards.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Sample Images

Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/4.5
Nikon Zf | CZJ Pancolar 50mm F/1.8 | f/1.8

Continue reading REVIEW: Carl Zeiss Jena Pancolar 50mm f/1.8 MC

Review: Nikon Nikkor 105mm 1.8 Ai-s

Introduction

nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon 105mm 1.8 via Nikon FTZ II on Nikon Zf

For 36 years this Nikon Nikkor 105mm 1.8 Ai-S has been the fastest 105mm photography lens. Despite its fast maximum aperture it is made of only five elements, can that actually be enough for appealing image quality? Let’s try to find out in this review.

Sample Images

nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon Zf | Nikon 105mm 1.8 Ai-s | f/1.8
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 105mm 1.8 Ai-s | f/1.8 | Elite Chrome 200 | E-6
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon Zf | Nikon 105mm 1.8 Ai-s | f/1.8
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon Zf | Nikon 105mm 1.8 Ai-s | f/1.8
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 105mm 1.8 Ai-s | f/5.6 | Elite Chrome 200 | E-6
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 105mm 1.8 Ai-s | f/1.8 | Elite Chrome 200 | E-6
nikon 105mm 1.8 ai ai-s f/1.8 tele fast 1981 1980 reportage press review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon Zf | Nikon 105mm 1.8 Ai-s | f/1.8

Continue reading Review: Nikon Nikkor 105mm 1.8 Ai-s

Review: Zeiss Milvus 25mm 1.4 Distagon

Introduction

zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Zeiss Milvus 25mm 1.4 via Sigma MC-11 on Sony A7rII

About a year after the release of the Zeiss Otus 28mm 1.4 Distagon – to the surprise of many – Zeiss released this Zeiss Milvus 25mm 1.4 Distagon. Almost as complex optical design, almost as big, almost as heavy, but “only” half the price – making it the most expensive lens of the Milvus lineup. What are you giving up in terms of performance compared to the 28mm Otus? Let’s try to find out in this review.

Sample Images

zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/1.4
zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/1.4
zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/1.4
zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/1.4
zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/2.8
zeiss 25mm 1.4 milvus otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp zf.2 ze
Sony A7III | Sigma MC-11 | Zeiss 25mm 1.4 Milvus | f/2.0

Continue reading Review: Zeiss Milvus 25mm 1.4 Distagon

Review: Nikon 50mm 1.8 Series E

Introduction

nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon 50mm 1.8 Series E on Nikon FM2

In 1979 Nikon released a lineup of cheaper manual focus lenses called “Series E” instead of “Nikkor”. Today we will have a closer look at the Nikon 50mm 1.8 Series E, probably the most popular lens of that series and definitely the smallest.

Sample Images

nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon D800 | Nikon 50mm 1.8 Series E | f/4.0
nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon D800 | Nikon 50mm 1.8 Series E | f/8.0
nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon D800 | Nikon 50mm 1.8 Series E | f/4.0
nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon Zf | Nikon 50mm 1.8 Series E | f/1.8
nikon 50mm 1.8 serie series e cheap affordable nikkor review 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness bokeh vignetting
Nikon FM2n | Nikon 50mm 1.8 Series E | f/1.8 | Elite Chrome 200 | E-6

Continue reading Review: Nikon 50mm 1.8 Series E

Projector Lenses – Reviving the Joy of Old Petzval Lenses (Guest Article)

Introduction

Martin recently reviewed Lomo’s replica of a Petzval lens. I commented, perhaps slightly snidely, that vintage Petzval lenses are still around, often for less money, and often with better centre sharpness – and certainly with a vast choice of models and thus rendition nuances.

Martin suggested I share my knowledge in an article. And like an inverse Spice Girl, one became two. This one seeks to introduce you to the weird magic of Petzval lenses and their widespread availability from old cinema film projectors. The next will look at adapting them, and indeed any old projection lens, to a modern-day camera.

So here we go, I guess.

All pictures were taken on full-frame evils: a Sony a7r2 and an a7cr. Some were cropped; all were adjusted for proper blacks and whites according to ancient darkroom principles. None had additional sharpening or aberration correction applied.

Sample Images

Meyer  Görlitz Kinon Superior 50/2.2.
Meopta Meostigmat 50/1.3, 617-inspired 1:3 crop out of 3:2 full frame image.
Meyer  Görlitz Kinon Superior  50/1.6 – A characteristic of Petzval lenses is the swirly bokeh, which also results in lentilesque distortion of highlights (some call it cat’s eyes; you’d need a pretty deformed cat to see that analogy).
Meopta 50/1.3
The Meyers date from the 1930s! This 50/1.6 cost someone 6 pound sterling in 1938, according to an old advert.

Continue reading Projector Lenses – Reviving the Joy of Old Petzval Lenses (Guest Article)