Introduction Laowa has already produced a couple of good tilt-shift lenses, such as the T/S 55mm f/2.8 and the impressive T/S 100mm f/2.8. Now they’ve introduced an ultra-wide-angle option — the T/S 17mm f/4 — designed primarily for architectural work. It offers the same handling flexibility as the previous two, including a tripod foot. Let’s … Continue reading REVIEW: LAOWA FF TS 17mm f/4 C-Dreamer
Introduction Irix released a bunch of high performance ultra wide angle and fast primes at the end of the DSLR era. Because of this rather bad timing I don’t have the feeling their lenses have been exactly popular. Their 11mm 4.0 and their 45mm 1.4 proved to be very capable lenses in my reviews, so … Continue reading Review: Irix 30mm 1.4 Dragonfly
Introduction TTArtisan has released three tilt-related lenses to date: a tilt-only 35mm APS-C, a tilt-only 50mm full-frame, and a 100mm tilt-and-shift full-frame — none of which are well suited to architectural photography. This lens changes that: a 17mm full-frame tilt-and-shift with a complex, sophisticated optical and mechanical design. Despite that, it costs just $550. On … Continue reading REVIEW: TTArtisan Tilt-Shift 17mm F4 ASPH.
Introduction When people think of a fixed lens compact camera with an APS-C sized sensor, most will probably think of the Fuji X100 series first. However, those that are looking for a truly pocketable option may sooner or later come across Ricoh’s GR series. Not long ago the Ricoh GR IV was released, but thanks … Continue reading Review: Ricoh GR III
Introduction Today I’m taking a look at another lens from Meike’s high-end MIX series of autofocus primes: the 24mm f/1.4 MIX. I reviewed their 85mm f/1.4 not long ago and was pleasantly surprised—even impressed—by its features and optical quality. Now it’s time to see whether the 24mm can live up to that standard. I tested … Continue reading REVIEW: Meike 24mm f/1.4 MIX