Introduction Not that long ago we reviewed the Viltrox AF 85mm 2.0 Evo – the first lens of the Evo series – and it turned out to be a very compelling lens; correcting most optical aberrations very well in a compact, affordable package. It didn’t take long for Viltrox to extend the lineup, so here … Continue reading Review: Viltrox AF 35mm 1.8 FE EVO Apo
Introduction One of the first reviews I wrote here was for the Nikon AF-S 20mm 1.8G in 2016. A lot has happened since: Nikon now has its own mirrorless system, many new ~20mm lenses have been released in the meantime and also my testing methods have improved. A lot of reasons, to have another look … Continue reading Review: Nikon AF-S 20mm 1.8G
Introduction Viltrox has just released two new full-frame lenses in its EVO series—a 35mm f/1.8 and a 55mm f/1.8—both featuring APO designs for improved correction of chromatic and spherical aberrations. Here, I’m testing the 55mm lens. Based on Viltrox’s earlier Air and EVO lenses, which delivered exceptional sharpness, I was curious to see if this … Continue reading REVIEW: Viltrox 55mm f/1.8 EVO
I already shot Kodak Pro Image 100 and had it developed in the typical C-41 process, this time we see how it turns out when developed in the more complex ECN-2 process. Processing (ECN-2) and scanning was done at Silbersalz35 in Germany. The pictures in this article are from one roll of film. Per recommendation … Continue reading Analogue Adventures – Part 51: Kodak Pro Image 100 ECN-2
Introduction In 2019 Samyang relesased this Samyang 35mm 1.2 XP. At that time, I honestly didn’t care much about it, because Sigma also released their Sigma 35mm 1.2 Art DG DN mirrorless design, which actually offered AF, making it a more sensible choice. This Samyang 35mm 1.2 XP is one of only two fullframe 35mm … Continue reading Review: Samyang 35mm 1.2 XP