Analogue Adventures – Part 53: Harman Phoenix 200 ECN-2

Harman Phoenix 200

This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I already had this film developed in C-41 and I wasn’t too happy with the results, so this time I tried the ECN-2 process.
Processing (ECN-2) and scanning was done at Silbersalz in Germany. The pictures in this article are from one roll of film. Per recommendation when having the film ECN-2 developed I shot it at half box speed (ISO 100).

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/5.6
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/4.0
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

Also when developed in ECN-2 my opinion on this film hasn’t changed: high grain, high contrast/low latitude and an orangey/red color cast – albeit the dynamic range looks slightly better to me here.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

As you can see from the following pictures: halation and low dynamic range and somewhat odd colors are still a problem.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

I did find the image quality a bit better when developed in ECN-2 with slightly better dynamic range, so I would definitely pick this option again.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

Further Reading

Support Us

Did you find this article useful or just liked reading it? Treat us to a coffee or a roll of film!
via Paypal

The following two tabs change content below.
My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Don't ask me anything about macro or wildlife shooting though.

Leave a Reply

Your email address will not be published. Required fields are marked *