Analogue Adventures – Part 53: Harman Phoenix 200 ECN-2

Harman Phoenix 200

This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I already had this film developed in C-41 and I wasn’t too happy with the results, so this time I tried the ECN-2 process.
Processing (ECN-2) and scanning was done at Silbersalz in Germany. The pictures in this article are from one roll of film. Per recommendation when having the film ECN-2 developed I shot it at half box speed (ISO 100).

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/5.6
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/4.0
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

Also when developed in ECN-2 my opinion on this film hasn’t changed: high grain, high contrast/low latitude and an orangey/red color cast – albeit the dynamic range looks slightly better to me here.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

As you can see from the following pictures: halation and low dynamic range and somewhat odd colors are still a problem.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

I did find the image quality a bit better when developed in ECN-2 with slightly better dynamic range, so I would definitely pick this option again.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

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My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. Don't ask me anything about macro or wildlife shooting though.

3 thoughts on “Analogue Adventures – Part 53: Harman Phoenix 200 ECN-2”

  1. Interesting how the ECN-2 process tamed this film significantly. Actually I can see some scenarios when this film would be nice to use. In 120 format would be even nicer. To supress the still very pronounced grain.
    Do you plan to try the new Phoenix version(Phoenix II) too? Harman seemed to listen and not long after launch of the original Phoenix they started selling “a better one”. 🙂

  2. I have read part of the issue with the strong color cast is the color of the film material and there’s no profile in these old film scanning machines. Home scans seem to produce much better results.

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