Some lenses became famous because they are rare and/or expensive. Neither is the case for the Nikon Nikkor 105mm 2.5 Ai. In fact – from the early 70s to the mid 80s – Nikon made a lot of them, it was by far their best selling short tele prime. Why was that? And are there still good reasons to use this lens today? Let’s find out in this review.
Continue reading Review: Nikon Nikkor 105mm 2.5 Ai – The Portrait Tele Bestseller
There are already two articles covering Portra 800, but both times they have been developed in the ECN-2 process by Silbersalz35. What was missing was Portra 800 developed in the more common C-41 process, so here we go.
Exposed as ISO640. Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 30: Kodak Portra 800 C-41
The optical design of this Nikkor 55mm 1.2 dates back to 1965, which makes it Nikon’s first f/1.2 lens for the F-mount. Among Nikon’s three manual focus f/1.2 ~50mm lenses this is not exactly a fan favorite though and usually considered the worst of the bunch. Let’s try to find out in this review if that bad reputation is actually justified.
Continue reading Review: Nikon Nikkor 55mm 1.2 Ai – The first f/1.2 F-mount lens
Speedboosters are still somewhat popular among videographers, but since these days used fullframe cameras are very affordable, this is not really the case for still photographers anymore. They can be used for some creative shallow depth of field photography on fullframe cameras though, and that is what we will have a look at here.
After the first fullframe E-mount cameras hit the market there was a lot of marketing fluff from the competitors that the E-mount was too narrow for fast high performance lenses. I cannot help but think this Sony FE 50mm 1.2 GM had mainly been designed to prove them wrong and from everything I can see it more than succeeded at that, but let’s have a closer look.
