I have already been talking about editing pictures with the help of profiles in the past in the articles How I edit my pictures and Emulating Filmlook. This time I will have a look at the Cobalt Image profiles.
Portra 160 is the “professional” grade average speed color film from Kodak. This one roll of Portra 160 cost me as much as a triple pack of Gold 200, so was it worth it? Processing and scanning was done at urbanfilmlab in Germany.
Kodak Gold 200 is something special these days. I don’t have the feeling it has ever been a highly praised 35mm film, but it is one of the few color films that is affordable and still widely available in 2022. Processing and scanning was done at urbanfilmlab in Germany.
When using Leica M cameras I generally try to stick to using small lenses, but there is a problem: small lenses are usually slow and I find slow lenses (at least non-ultrawides) incredibly boring.
My workaround is using some of the MS-Optics lenses as they try to be small, lightweight and fast at the same time – at the cost of some optical compromises obviously.
I was a bit hesitant to use these lenses on film at first (doubts about rangefinder accuracy, focus shift and field curvature) but I decided to try nevertheless and exposed 4 films mainly using the 24mm 2.0 Aporia and the 50mm 1.0 ISM. How did it work out in the end? Let’s have a look.
When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look. Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 2 rolls.
Sony α | Leica M | Nikon F/Z New article every week
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