Category Archives: camera

Review: Tamron SP AF 90mm F2.5

Introduction

Tamron SP AF 90mm f/2.5 on Nikon Z6

Tamron made a big impression on the market when they launched their SP 90mm F/2.5 back in 1979. Small, flexible and very sharp. It is originally designed for 35mm cameras (full-frame) but can also be used on APS-C cameras with an equivalent focal length of 135mm. It is a classic dual purpose 90mm macro lens. The lens manages to do a 1:2 magnification, almost macro and many call it for a macro lens although Tamron themselves did not do that and only talked about it as “a medium telephoto portrait lens”.  (They called the previous versions, also with 1:2 magnification, “tele-macro” though.) Anyhow, it has long been the general opinion that it has very good close-up capabilities and it can do 1:1 macro with some help as we will see. It is also very suitable for use as a portrait lens at normal distances. The lens has been updated several times since its first release and changed look and optical formula during over 40 years of its existence. Each new version could have an additional feature, improved optical performance, just a cosmetic update, or a combination of them. We are going to look at the first AF version of this lens from 1990. The lens has been made with native mounts for Nikon F, Pentax K and Minolta/Sony A. I test a Nikon mount lens mostly on a FF mirrorless Nikon Z6 and APS-C DSLR Nikon D7200  (F mount) but I also include images taken with FF DSLR Nikon D600 (also F mount).

Sample Images

Nikon D600 | Tamron AP AF 90mm f/2.5 | 2.5

Nikon D600 | Tamron AP AF 90mm f/2.5 | 7.1 | Focus stacked from 11 images

Nikon D600 | Tamron AP AF 90mm f/2.5 | 3.3

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Review: Konica Hexanon AR 40mm f/1.8

Introduction

Konica Hexanon AR 40mm F1.8 on Nikon Z6
Konica Hexanon AR 40mm F1.8 on Nikon Z6

Konica Hexanon AR 40mm f1.8 is a pancake standard lens, it was shipped as kit lens with Konica SLR cameras during a couple of years in mid and late ’70s. While it is not an actual wide angle lens it is still wider than a normal 50mm lens, which, in my opinion, can be helpful for street photography as it allows to include more of the environment from the same camera to subject distance. It also does so without introducing the perspective distortion of a 35mm wide angle lens with equivalent speed/aperture.
Sometimes it’s hard to explain it but in many situations the 40mm focal length feels just right (i.e. to my taste). When it was introduced some photography magazines considered it the sharpest lens ever produced (for its time that is), there is no hard proofs on that though. You can find it very cheap at about 20-30$. Let’s see if it still is justified to buy this lens today.

Sample Images

Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40mm F1.8 | 5.6

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Adapting Lenses – Still worth it in 2023?

Introduction

canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Canon EF 200mm 2.0 L IS on Sony A7III via Metabones Smart Adapter

There have always been people adapting lenses to other camera systems, but it was really the release of the Sony A7 that completely changed the game, being the first affordable fullframe mirrorless camera with a short flange focal distance, Liveview and built-in EVF.
This not only made it possible to use long forgotten legacy lenses from decades ago on a modern camera, it also led to some of the most sophisticated adapters we have seen so far.
This was the end of 2014 and since then a lot has changed, so let us see what are the reasons to adapt lenses and in what cases it is still worth it today.

Continue reading Adapting Lenses – Still worth it in 2023?

Leica M10 – The Camera (?)

Introduction

Leica M10 with MS-Optics 50mm 1.0 ISM

Leica M10. The Camera. Photography reduced to its essentials. This is what Leica says about this camera. If you care what I think of it: keep on reading.

Update: this article is now 3 years old and because of it some Leica fanboys still show up outside (or rather in the comment section) with pitchforks and torches. Joking aside, this is one of the most commented-on articles I ever wrote, reason enough to revisit it and see what happened in the meantime and also tackle some arguments from the comment section.

For many people owning a Leica camera is a dream. But why is that so? Is it simply the high price tag, the Bauhaus look or the huge “Made in Germany” writing, not hidden on a sticker at the bottom of the camera, but easily visible on the back?
It surely isn’t image quality or ease of use. You get more of both, elsewhere, for less. This is why Leica cameras are often perceived as vain men’s luxury items, that happen to be able to take photos from time to time.

leica m10 review rangefinder messsucher comparison vergleich sony a7iii a7rii R2 42mp 24mp wide angle portrait
Leica M10 | 7Artisans 28mm 1.4 FE+ | f/1.4
Leica M10 | Voigtländer VM 75mm 1.5 Nokton | 1.5
Leica M10 | Voigtländer VM 75mm 1.5 Nokton | 1.5
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Leica M10 | Laowa 9mm 5.6 | f/5.6
voigtlander vm 21mm 3.5 color skopar leica m10 sony a7rii a7riii a7riv 24mp 42mp 61mp sharpness review contrast resolution
Leica M10 | Voigtländer VM 21mm 3.5 | f/3.5
ttartisan 28mm 5.6 m m-mount pancake review smallest leica contrast sharpness resolution
Leica M10 | TTArtisan 28mm 5.6 | f/5.6

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Review: Voigtländer Ultron 28mm 2.0

Introduction

Sony A7s mit Voigtländer Ultron 28mm 2.0
Sony A7s with Voigtländer Ultron 28mm 2.0 and VM-E close focus adapter (Helicoid)

The Voigtländer Ultron 28mm 2.0 is a small wide angle lens with Leica M mount. The lens is features a modern design and has been introduced around 2012, but has already been replaced in 2021 with an updated version reviewed here.
Last update: February 2023

Sample Images

venice night sunstar ultron 28mm 2.0 sony a7
Sony A7s | Voigtländer Ultron 2.0/28 | f/11 | full resolution
sunset sunrise sun sunstar ultron 28mm 2.0 contra light
Sony A7s | Voigtländer Ultron 2.0/28 | f/11
abstract black and white b/w stairs ultron 28mm 2.0
Sony A7s | Voigtländer Ultron 2.0/28 | f/4.0 | full resolution

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