It is astonishing how many lens manufacturers there are in China these days. Meike is one of them and around since roughly 2017, but just lately they started producing fullframe lenses and this 50mm 1.2 is one of their first, so let’s have a closer look!
In 2023 there are plenty of lens manufacturers originating from China speaking to various different target audiences. While some are the Primark of the lens industry – simply trying to offer cheaper alternatives to the reknown manufacturers of lower quality – others have become the actual innovators in the photography lens business.
Having used more than 80 of those lenses from 15 different manufacturers I thought it is a good time to highlight the best ones I came across.
Update September 2025: many new lenses added
The Tessar is a very old design (1902), actually one of the oldest optical designs of all consumer lenses. It was produced before WWII for the first Contax rangefinder cameras and early Exakta cameras and post-war both in East and West Germany for several other camera brands.
Fun Fact 1: In 1932, when Leica II by Leitz of Wetzlar was the king of 35mm cameras, Zeiss Ikon of Dresden decided to produce a competitor that would be superior in every way. Thus the first Contax camera was born; the “Contax I”, which was designed to outperform the Leica in every aspect including the optics; thus the first Tessar 50/2.8 for 35mm format was born (a redesigned Tessar to cover 24x36mm negative), from Zeiss Jena.
Fun Fact 2: This lens was famous during its era and was called “Adlerauge” in German, which means “Eagle’s eye” because it was considered super sharp. Let’s see about that further down!
This Leica Summilux-M 50mm 1.4 Asph is definitely among Leica’s most famous M-mount lenses. When it had been released in 2004 there was nothing quite like it. A compact fast 50mm rangefinder lens with aspherical element and floating elements design? You could not find this anywhere else.
But – maybe unlike some of the Nocitlux lenses – this wasn’t just a showcase of engineering technology, it actually proved to be a useful and capable lens cherished by many to this day.
Leica kept this in their portfolio – with unchanged optics – for 20 years, so how does it stack up against its younger and significantly cheaper competitors in 2023, especially the Voigtländer VM 50mm 1.5 Nokton MC and the TTArtisan 50mm 1.4 Asph? Let’s find out in this review.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Even with the limited amount of different color negative films available these days Kodak manages to confuse the people by offering two different “low cost” ISO 200 daylight films: the Kodak Gold 200 (which I already had a look at here and here) and this Color Plus 200.
From what I gathered the Color Plus is based on older emulsion technology leading to slightly grainer and contrastier pictures, so let’s have a look at some samples.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 20: Kodak Color Plus 200 ECN-2 processed