Category Archives: Sony E-mount

Review: Zhong Yi Mitakon 50mm 0.95 Dark Knight

Introduction

mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s with Mitakon 50mm 0.95 “Dark Knight”

The Zhong Yi Mitakon 50mm 0.95 Speedmaster “Dark Knight” is a very fast 50mm lens with the staggering maximum aperture of 0.95. Compared to the Leica Noctilux this lens is very cheap, on absolute terms it isn’t, so find out whether this lens is worth the asking price!

Sample Images

mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | higher resolution
mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | higher resolution
mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7 |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | full resolution

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Review: Laowa STF 105mm F2.0 (T3.2)

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Venus Optics is a new player in the field of high performance manual lenses. Their new Laowa Smooth Trans Focus 105mm F 2.0(T3.2) has a special apodization element which should give this lens extraordinary bokeh. That’s the theory, in this review I will put it to the test.

Sample images

Most images in this review are linked to the full resolution, just click on them. There is also a Laowa STF 105mm F 2.0 flickr album.

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Continue reading Review: Laowa STF 105mm F2.0 (T3.2)

The STF Duel: Laowa 2/105 vs Sony 2.8/135

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There is only a hand full of lenses which incorporate an apodization element which improves bokeh at the cost of light transmission. Today I will compare two of them. The Sony STF 2.8/135 was released 1999 by Minolta and is known for it’s uniquely smooth bokeh. The Laowa STF 2/105 is a new lens released this year by Chinese newcomer Venus Optics. In this post I will see where their strengths and weaknesses lie.

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Review: Zeiss Batis 18mm 2.8

Introduction

Sony A7s with Zeiss 18mm 2.8 E Batis
Sony A7s with Zeiss 18mm 2.8 E Batis

The Zeiss Batis 18mm 2.8 is the latest addition to Zeiss’ line up of modern autofocus lenses and also the widest AF prime lens to date for Sony E-Mount. As many people (include me here) are now engaged in landscape astrophotography I am especially interested how the new Batis fares in this regard.
Last Update: Review finised, conclusion added, sample images added  (05/30/16)

Sample Images

carl zeiss batis 18mm 2.8 sony a7s astro astrophotography astroscape coma milkyway milky way star stars
Sony A7s | Batis 18mm 2.8 | f/2.8 | ISO6400 | 20s | panorama from 4 shots | higher resolution
santa cruz tenerife canary island zeiss batis 18mm 2.8 e mount sony a7s panorama blue hour sunstars reflection
Sony A7s | Batis 18mm 2.8 | f/8.0 | panorama from 4 shots
batis 18mm 2.8 sony e zeiss a7 distortion stuttgart ludwigsburg castle monrepos favorite barock
Sony A7s | Batis 18mm 2.8 | f/11 | full resolution

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Review: Sony FE 1.8/50 (SEL50F18F)

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The new Sony FE 1.8/50 is the second more affordable lens after the FE 2/28 which I liked a lot. Has Sony created another winner?

Sample Images

Sony FE 1.8/50 | f/11 | Sony a7 | full resolution
Sony FE 1.8/50 | f/11 | Sony a7 | full resolution
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
Sony FE 1.8/50
Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution
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Sony FE 1.8/50 | f/1.8 | Sony a7 | full resolution

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