I am a passionate photographer from northern Germany and I love landscape, architecture, travel, portrait and family photography. I use manual lenses but I also enjoy the comfort of autofocus lenses, therefore both can be found in my bag.
After the success of their compact and affordable f/2.8 zooms Tamron has released a small family of f/2.8 primes: we already reviewed the Tamron 2.8/24 Di III OSD, this time I check if the Tamron 2.8/35 Di III OSD is a good performer.
Most images in this review can be found in full resolution here.
The Zeiss Batis 2/40 CF is a lens of a very popular focal length / aperture class that was missing in the FE lineup from the beginning. When we released our review 6 months ago there were some serious issues and Zeiss released a firmware update some time later. Read our review to check if that could solve all the issues.
Sony A7III | Zeiss Batis 2/40 CF | f/8 | full size
The Sony 1.8/135 GM is a highly anticipated lens that has been rumored for some time. Being a GM lens, it is part of a line which includes some of my favorite lenses like the Sony FE 1.4/24 GM and the Sony FE 1.4/85 GM. My expectations are as high as its price – can it live up to that?
After analyzing the infinity sharpness of the candidates in Part 1 of this series, we are looking at the opposite direction of the focus ring. For a versatile do-it-all standard zoom lens, the macro capability is an important factor of the overall performance. Details in documentation-, wedding-, product-, nature- or food photography are typical applications for a standard zoom as a pseudo-macro. In photographic history, the macro feature of zoom lenses was often a shameful marketing trick without any serious usefulness. Let’s check out the performance of the of the Sony FE 2.8/24-70 GM, Tamron 2.8/28-75 Di III RXD and the Sony FE 4/24-105 G OSS.
Standard zooms are the swiss knifes for photographers who need flexibility, can’t change lenses or prefer exact framing over prime qualities.
The Sony FE standard zoom palette has grown in the past years. In the beginning, we were cought between a rock (Sony FE 3.5-5.6/28-70) and a hard place (Sony FE 4/24-70 ZA OSS). We were trying to get around this lens type as good as we could.
In 2019, three great options are available and the situation is the other way around. Not only I have a hard time to decide which of the three highly regarded lenses suits me best, so let’s find out together which lens is the best choice for whom.
This article will be split into three seperate posts due to the sheer amount of information. I will start with a sharpness shootout (infinity) between the Sony 2.8/24-70 GM, the Tamron 2.8/28-75 Di III RXD and the Sony 4/24-105 G OSS.