The Sony FE 2.8/50 Macro is a small and relatively affordable lens which can cover a wide range of applications. In this review I will check how well it actually performs.
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The Sony FE 2.8/50 Macro is a small and relatively affordable lens which can cover a wide range of applications. In this review I will check how well it actually performs.
The Zhong Yi Mitakon 50mm 0.95 Speedmaster “Dark Knight” is a very fast 50mm lens with the staggering maximum aperture of 0.95. Compared to the Leica Noctilux this lens is very cheap, on absolute terms it isn’t, so find out whether this lens is worth the asking price!
Continue reading Review: Zhong Yi Mitakon 50mm 0.95 Dark Knight
Venus Optics is a new player in the field of high performance manual lenses. Their new Laowa Smooth Trans Focus 105mm F 2.0(T3.2) has a special apodization element which should give this lens extraordinary bokeh. That’s the theory, in this review I will put it to the test.
Most images in this review are linked to the full resolution, just click on them. There is also a Laowa STF 105mm F 2.0 flickr album.
There is only a hand full of lenses which incorporate an apodization element which improves bokeh at the cost of light transmission. Today I will compare two of them. The Sony STF 2.8/135 was released 1999 by Minolta and is known for it’s uniquely smooth bokeh. The Laowa STF 2/105 is a new lens released this year by Chinese newcomer Venus Optics. In this post I will see where their strengths and weaknesses lie.
The Zeiss Batis 18mm 2.8 is the latest addition to Zeiss’ line up of modern autofocus lenses and also the widest AF prime lens to date for Sony E-Mount. As many people (include me here) are now engaged in landscape astrophotography I am especially interested how the new Batis fares in this regard.
Last Update: Review finised, conclusion added, sample images added (05/30/16)