The Sigma 40mm 1.4 Art DG is one of the heaviest non-super-tele prime lenses and on first sight it also looks more like a serious tele lens than a medium wideangle. But is it also as good optically as it is heavy? Let us have a closer look!
The Zeiss Batis 2/40 CF is a lens of a very popular focal length / aperture class that was missing in the FE lineup from the beginning. When we released our review 6 months ago there were some serious issues and Zeiss released a firmware update some time later. Read our review to check if that could solve all the issues.
Sony A7III | Zeiss Batis 2/40 CF | f/8 | full size
Sigma now offers the DSLR designs 35mm 1.4 Art and 40mm 1.4 Art and the newly designed 35mm 1.2 Art for Sony E-mount cameras. Let us find out what the differences between those 3 are and if there is a reason to get one of the bigger, heavier and more expensive lenses.
Tamron’s first E-mount lens was the 28-75mm 2.8. Compared to the 24-70mm 2.8 lenses Tamron decided to give up a bit of zoom range to realize an affordable and compact yet fast standard zoom.
This 17-28mm 2.8 shares these qualities on paper, so let us see if the optical performance can keep up with our expectations. Last update 07/25/19: Sharpness Close, Focus Shift, Alternatives, Pro/Con table added
This lens costs $449. It’s a 100mm f2.8 macro, which focuses down to twice life-size. A feat no other lens in its class achieves. It also focuses to infinity. It claims to be apochromatic. How good can it be? Is it, as some suspected when they first heard about it, good for macro but only an emergency lens for infinity use? Or is it the deal of the century? I’m afraid I’m going to make you read further if you want to find out!
UPDATE at the end I have some info which might make the lens more attractive than most of my review suggests.
Sony α | Leica M | Nikon Z New article every Tuesday
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