Category Archives: Manufacturers

TTArtisan Leica M to E and M to Z 6-bit Adapter

Introduction

ttartisan leica m to sony e adapter 6 bit code programmable exif
Voigtlander VM 75mm 1.5 via TTArtisan M->E 6-bit adapter on Sony A7rII

Since I bought my first E-mount camera seven years ago I have been using adapted M-mount lenses. Missing Exif data have always been a nuisance though and while the “Lens Compensation” camera app was a ray of hope, it didn’t exactly work all that well.
Now TTArtisan came up with a product which I have pitched to so many manufacturers before: a semi programmable Leica-M to Sony-E/Nikon-Z adapter. Let’s have a closer look!
Update August 2024: more information on the version for Nikon Z-mount (affiliate link) added

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Review: Sony FE 20mm 1.8G

Introduction

sony fe 20mm 1.8g review comparison a7rv a7riv 42mp 61mp sharpness handling build quality
Sony FE 20mm 1.8G on Sony A7rII

There are plenty of great lenses available for fullframe E-mount cameras in the 20mm range, but it is said among those this Sony FE 20mm 1.8G is an outstanding, well-balanced highlight. A review was long overdue, so here we go.

Sample Image

sony fe 20mm 1.8g review comparison a7rv a7riv 42mp 61mp sharpness bokeh sample
Sony A7III | Sony FE 20mm 1.8G | f/1.8
sony fe 20mm 1.8g review comparison a7rv a7riv 42mp 61mp sharpness bokeh sample
Sony A7III | Sony FE 20mm 1.8G | f/1.8
sony fe 20mm 1.8g review comparison a7rv a7riv 42mp 61mp sharpness bokeh sample
Sony A7III | Sony FE 20mm 1.8G | f/8.0
sony fe 20mm 1.8g review comparison a7rv a7riv 42mp 61mp sharpness bokeh sample
Sony A7III | Sony FE 20mm 1.8G | f/2.8
Sony A7III | Sony FE 20mm 1.8G | f/1.8

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Analogue Adventures – Part 18: Choosing a secondary Camera

Introduction

If you followed my Analogue Adventures over the past year you probably noticed I have been shooting quite a bit of 35mm film lately. Doing that, I discovered things I like as well as things I don’t like. Either way, I decided to continue with these Analogue Adventures as I think there is still a lot to be learned for me, but I also decided to get a second analogue camera with M-mount for doing that.

Continue reading Analogue Adventures – Part 18: Choosing a secondary Camera

Review: Laowa 15mm 2.0 Zero-D M-mount

Introduction

laowa 15mm 2.0 zero-d m-mount leica m10 m10r m11 review sharpness contrast coma distortion vignetting 42mp 24mp 61mp
Laowa 15mm 2.0 M-mount on Leica M10

Photokina in 2016 was the first time I saw the Laowa 15mm 2.0 Zero-D for Sony E-mount, I bought it as soon as it was available and have used it since. Already at that time there was talk about the lens being released for M-mount but it never happened and admittedly I kinda forgot about it.
But what happened at CP+ 2023? We see an M-mount version of the Laowa 15mm 2.0 Zero-D. And for M-mount it might be even more spectacular, pushing the boundaries of the system quite a bit. So let’s see what has changed compared to the Sony version!
Lens is being reviewed on Sony A7rII and Leica M10

Sample Images

laowa 15mm 2.0 zero-d m-mount leica m10 m10r m11 review sharpness contrast coma distortion vignetting 42mp 24mp 61mp
Leica M10 | Laowa 15mm 2.0 M | f/11
laowa 15mm 2.0 zero-d m-mount leica m10 m10r m11 review sharpness contrast coma distortion vignetting 42mp 24mp 61mp
Minolta CLE | Laowa 15mm 2.0 M | f/2.0 | Ektar 100 | Push +1
laowa 15mm 2.0 zero-d m-mount leica m10 m10r m11 review sharpness contrast coma distortion vignetting 42mp 24mp 61mp
Leica M10 | Laowa 15mm 2.0 M | f/5.6
laowa 15mm 2.0 zero-d m-mount leica m10 m10r m11 review sharpness contrast coma distortion vignetting 42mp 24mp 61mp
Leica M10 | Laowa 15mm 2.0 M | f/11

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Review: Konica Hexanon AR 40mm f/1.8

Introduction

Konica Hexanon AR 40mm F1.8 on Nikon Z6
Konica Hexanon AR 40mm F1.8 on Nikon Z6

Konica Hexanon AR 40mm f1.8 is a pancake standard lens, it was shipped as kit lens with Konica SLR cameras during a couple of years in mid and late ’70s. While it is not an actual wide angle lens it is still wider than a normal 50mm lens, which, in my opinion, can be helpful for street photography as it allows to include more of the environment from the same camera to subject distance. It also does so without introducing the perspective distortion of a 35mm wide angle lens with equivalent speed/aperture.
Sometimes it’s hard to explain it but in many situations the 40mm focal length feels just right (i.e. to my taste). When it was introduced some photography magazines considered it the sharpest lens ever produced (for its time that is), there is no hard proofs on that though. You can find it very cheap at about 20-30$. Let’s see if it still is justified to buy this lens today.

Sample Images

Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40mm F1.8 | 5.6

Continue reading Review: Konica Hexanon AR 40mm f/1.8