The Kodak Portra 400 is Kodak’s midspeed film from the Portra series sitting inbetween the Portra 160 and Portra 800. It is also the more expensive ISO 400 color negative film in the Kodak lineup, the cheapter alternative being the Ultramax 400.
Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 21: Kodak Portra 400
Even with the limited amount of different color negative films available these days Kodak manages to confuse the people by offering two different “low cost” ISO 200 daylight films: the Kodak Gold 200 (which I already had a look at here and here) and this Color Plus 200.
From what I gathered the Color Plus is based on older emulsion technology leading to slightly grainer and contrastier pictures, so let’s have a look at some samples.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 20: Kodak Color Plus 200 ECN-2 processed
The Ultramax 400 is Kodak’s cheaper – hard to use that term in this context – ISO400 color negative film. This is also reflected by the fact that it is available as 24 exposure film. These days it is just as expensive as any other color negative film and whenever I came across it, it had been sold out shortly after. So I should probably consider myself lucky for having seized the moment and bought a roll at the local camera store – for what felt like way too much for a 24 exposure roll…
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.
Continue reading Analogue Adventures – Part 15: Kodak Ultramax 400
When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 2 rolls.
Continue reading Analogue Adventures – Part 7: Cinestill 800T
For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.
Continue reading Analogue Adventures – Part 6: Emulating Filmlook