Macro lenses around 100 mm are among the most popular primes because they can be used for a very wide range of applications. So, how did Sony’s 2.8/90 turn out? Check out my review for the in-depth analysis.
You can find all images shown in this review in full resolution in this album.
There is one big issue with neck- or wrist straps: Because it takes several minutes to change a strap most people have just one which doesn’t work too well for many scenarios. The Peak Design Anchor Links fix this issue. In this quick review you learn why they have become an integral part of the team’s kit.
The Jupiter-11 135mm 4.0 is another copy of a Zeiss lens, this time the Zeiss Sonnar 135mm 4.0. This one is really cheap, but is it also as good as the Jupiter-9 85mm 2.0? Let us find out!
The Canon FD 2.8/300 L was one of the most highly regarded manual super tele lenses in the 80s. Today it can be had for much less money and in this review I evaluate how it performs today on a modern mirrorless camera.
You can find all images shown in this image in full resolution in my Canon FD 300mm f/2.8 L flickr album.
The Canon EF 200mm 1.8 L is one of the most extreme tele lens designs and while almost 30 years old it hasn’t been surpassed in terms of speed since. Also known as the “Eye of Sauron” it has already become a legend, so let us find out what is so special about this lens…
