The TTArtisan 50mm 0.95 is probably the most anticipated lens by TTArtisan so far, as – at least on paper – it rivals the famous yet unobtainably expensive Leica 50mm 0.95 Noctilux.
And for E-mount users it will be interesting to see if this lens performs better than the Zhong Yi 50mm 0.95 E.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
What makes a picture good? Not only because this is a very subjective question it is a hard one to answer. We will still try to do that and in the process we will also come across the following questions: why do you take pictures in the first place and: for whom?
I received quite a lot of feedback on my Leica M10 review especially regarding the B&W pictures – of which there were clearly more than there are usually to be found in my other articles – and I was asked to write a piece on how I process my B&W images. Then in the Voigtlander VM 35mm 1.2 III review people asked how I archive that vintage/film look, so I decided to combine both in one article.
While Cosina has updated the Voigtlander 15mm 4.5 to a 3rd generation (which even comes as native E-mount lens), the second version still cannot be beaten in terms of size.
Is this lens still a good choice on a digital camera or should you stick to the bigger and more expensive Mk. III version?
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Continue reading Review: Voigtlander VM 15mm 4.5 II Super-Wide-Heliar
The Zhong Yi Mitakon 135mm 1.4 Speedmaster is a very rare and also unique big aperture portrait lens. So far only ~100 have been made and trying to find useful information on it is more than difficult, so with this review I will try to change that.
Continue reading Review: Zhong Yi Mitakon 135mm 1.4 Speedmaster