Introduction

We have gathered 180/200mm primes ranging from f/4.0 to f/2.0 with used prices between 40$ and 3000$ and put them up against each other on the 42mp A7rII. Read on to find out more about our findings!

We have gathered 180/200mm primes ranging from f/4.0 to f/2.0 with used prices between 40$ and 3000$ and put them up against each other on the 42mp A7rII. Read on to find out more about our findings!

Bastian: I am a bridge engineer from Germany and my lovestory with manual lenses began with the 50mm 0.95 Mitakon and the 12mm 5.6 Voigtlander used with the Sony A7. I couldn’t believe it being possible to get consistently sharp results with a lens like the 50mm 0.95 after I have so badly failed using an Ai-s Nikkor 50mm 1.2 on my D800 (which was even equipped with an EG-s focusing screen). The 12mm 5.6 on the other hand was a total relief in terms of size and weight and so I was hooked. Right now I have sold almost all of my Nikon gear. If you are curious you can read the whole story here: my transition from Nikon to Sony.
It is also a matter of fact that by the time I was using manual lenses I realised I don’t need AF for most of what I am doing and so today I am confident enough to even shoot weddings without AF lenses.



Continue reading The Manual Photographers Series Part 0.2: BastianK

It is a very interesting time for wide angle junkies like me: after the smallish Voigtlander 10mm 5.6 and 15mm 4.5 I now get the chance to review the fast Laowa 12mm 2.8 Zero-D. It is the fastest rectilinear lens wider than 14mm and the widest rectilinear lens as fast as f/2.8 and I am very curious to find out about the optical qualities!
Last Update: Review finalized, Longitudinal CA, Bokeh, Alternatives, preliminary conclusion added (08/09/16)




When it comes to tripods mirrorless cameras have different requirements than DSLRs and so you can often get by with a lighter tripod. Unfortunately there are many manufacturers to chose from and even more commercial claims which are often misleading. As I have not only used quite a few myself but also witnessed the joy and frustation people experienced with their tripods during my workshops, I want to share my experiences with you.

The Canon EF 135mm 2.0L is often referred to as being the “Lord of the Red Rings” and many think it is one of the – if not the – best and sharpest among all L-lenses. On the other hand the optical design dates back more than 20 years now, so let us find out how the lens performs when coupled with the 42mp A7rII!



Continue reading Review: Canon EF 135mm 2.0L – the Lord of the Rings on Sony a7rii