The Zeiss Batis 2/40 CF is a lens of a very popular focal length / aperture class that was missing in the FE lineup from the beginning. When we released our review 6 months ago there were some serious issues and Zeiss released a firmware update some time later. Read our review to check if that could solve all the issues.
Sample Images
Sony A7III | Batis 40 CF2 | F2.5 | 1/80s | 400 ISO | David MatharSony A7III | Zeiss Batis 2/40 CF | f/5.6 | full sizeSony A7III | Batis 40 CF2 | F2 | 1/50s | 500 ISO | David Mathar
Sony A7III | Zeiss Batis 2/40 CF | f/8 | full size
Sony A7III | Zeiss Batis 2/40 CF | f/5.6 | full size
The Contax Zeiss 4.5-5.6/100-300 T* MM is a telephoto lens that hit the market in the mid 1990’s. It was also one of the last lenses that were designed for the Contax/Yashica mount. It is rare because it was very expensive in a time when autofocus telephoto lenses were already available. Lets have a closer look at this exotic legend.
Sample Images
Sony A7III | Contax 4.5-5.6/100-300 | full sizeSony A7III | Contax 4.5-5.6/100-300 | full sizeSony A7III | Contax 4.5-5.6/100-300 | full sizeSony A7III | Contax 4.5-5.6/100-300 | full size
If there is one thing not to like about the Zeiss Loxia lenses it is that there is nowhere to grab them to mount or unmount. Lutz from PocketPano came up with the idea of the “Loxia Lens-Grip” that I will review here.
We have become used to old lens formulas being revived and sold for occasionally huge sums of money to collectors and photographers hoping to create images with a magical vintage look. All of us here have been very sceptical about this. Mostly they have been simple lenses in simple bodies with poor technical qualities being sold for more than the price of the latest and greatest glass. From one perspective the legendary C-Sonnar from Zeiss is like this. It’s a classic design dating from 1932 whose principal design goal at the time was to reduce the number of air glass surfaces because the coatings of the day were so primitive. Why do we need it now? But Zeiss bought it back in 2006 in M mount as part of the ZM series. The optical design is not much changed, but it comes with modern coatings. Many prize it for magical rendering and flattering portraiture, others think it shows that not even Zeiss is above trying to rip off nostalgic hipsters. Read on and find out who is right!
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