Category Archives: Review

Review: Konica Hexanon AR 40mm f/1.8

Introduction

Konica Hexanon AR 40mm F1.8 on Nikon Z6
Konica Hexanon AR 40mm F1.8 on Nikon Z6

Konica Hexanon AR 40mm f1.8 is a pancake standard lens, it was shipped as kit lens with Konica SLR cameras during a couple of years in mid and late ’70s. While it is not an actual wide angle lens it is still wider than a normal 50mm lens, which, in my opinion, can be helpful for street photography as it allows to include more of the environment from the same camera to subject distance. It also does so without introducing the perspective distortion of a 35mm wide angle lens with equivalent speed/aperture.
Sometimes it’s hard to explain it but in many situations the 40mm focal length feels just right (i.e. to my taste). When it was introduced some photography magazines considered it the sharpest lens ever produced (for its time that is), there is no hard proofs on that though. You can find it very cheap at about 20-30$. Let’s see if it still is justified to buy this lens today.

Sample Images

Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40/1.8 | 5.6
Nikon Z6 | Konica Hexanon AR 40mm F1.8 | 5.6

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Review: Samyang AF 24mm 1.8 FE

Introduction

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Samyang FE 24mm 1.8 AF on Sony A7rII

The earlier Samyang lenses didn’t really impress me: dinky casing, lack of controls and severe issues with sample variation. This Samyang FE 24mm 1.8 AF was the first of a new generation of Samyang AF lenses though: customizable switch, focus hold button, rubber gasket and vastly improved materials. Did they finally hit the mark? Let’s find out in this review!

Sample Image

24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/2.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/5.0
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8
24 1.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 24mm 1.8 AF | f/1.8

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Review: Laowa 28mm 1.2 FFII Argus

Introduction

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Laowa 28mm 1.2 FFII Argus on Sony A7rII

Laowa was already responsible for releasing the world’s fastest 35mm lens and now they are back doing the same for the 28mm focal length. This time around it isn’t f/0.95, but f/1.2 at 28mm – in a more compact package. This is just as impressive, especially when most manufacturers seem to have neglected the 28mm focal length altogether. But is it only impressive on paper or does it also deliver in the field? Let’s find out in this review.

Sample Images

laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/2.0
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2 | Glimmerglass1
laowa 28mm 1.2 review fast super f/0.95 bokeh sharpness contrast a7riv a7riii a7iv a9 a1 resolution coma vignetting review
Sony A7III | Laowa 28mm 1.2 | f/1.2

Continue reading Review: Laowa 28mm 1.2 FFII Argus

Review: Contax-G 16mm 8.0 Hologon

Introduction

hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Modified to Leica M-mount 16mm 8.0 Hologon on Leica M6

Over the decades some exotic lenses saw the light of day that have a bit of a legendary status now and these also happen to be my favorite lenses to review. One such lens is the Contax-G 16mm 8.0 Hologon, an eccentric ultra wide angle lens still made by Zeiss in Germany, when every other part of the Contax-G system had already been manufactured in Japan. The Hologon sure looks cool, it has a history, but is it also still relevant today? We will try to find that out, see how to change its bayonet for M-mount and I will tell you what cameras it can best be used on.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10

Sample Images

hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | Hologon 16mm 8.0 | Cinestill 800T
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M6 | Hologon 16mm 8.0 | Fuji Superia X-Tra 400 ECN-2
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0 | Center Filter
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M10 | Hologon 16mm 8.0 | Center Filter

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Review: Canon 50mm 1.2 LTM

Introduction

review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Canon 50mm 1.2 LTM on Leica M6

Some of you may not know that before producing FD mount lenses and SLR cameras Canon also manufactured rangefinder lenses and cameras, leading to a line-up of no less than 59 different LTM (Leica Thread Mount also known as M39) lenses between 1946 and 1964. These lenses are fully compatible to Leica M cameras and can be easily adapted to other modern mirrorless cameras as well, so today we will have a look at the Canon 50mm 1.2 LTM, the second fastest lens from this series released in 1956.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

Sample Images

review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/1.2
review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/1.4
^review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/2.0
review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/1.2
review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/1.2
review canon ltm m39 leica 50mm 1.2 dream lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Leica M10 | Canon 50mm 1.2 LTM | f/1.4

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