Category Archives: Vintage

Quick Review: Zenitar 50mm 0.95 E

Introduction

zenitar 50mm 0.95 noctilux zhong yi mitakon SLRmagic sharpness resolution 42mp e-mount a7rIII a7rII bokeh
Zenitar 50mm 0.95 E on Sony A7rII

Zenith is mostly famous for still producing decade old designs like the Helios 2/58 and some Kickstarter lenses like the Petzval. But this Zenitar 50mm 0.95 E is a completely new design with staggering specs. But how does it stack up to the Zhong Yi Mitakon 50mm 0.95?
This was supposed to be a full scale review, but unfortunately this lens is so inherently flawed that I decided writing one would be a waste of time, read on to find out why.

Samples

zenitar 50mm 0.95 noctilux zhong yi mitakon SLRmagic sharpness resolution 42mp e-mount a7rIII a7rII bokeh
Sony A7III | Zenitar 50mm 0.95 E | f/0.95
zenitar 50mm 0.95 noctilux zhong yi mitakon SLRmagic sharpness resolution 42mp e-mount a7rIII a7rII bokeh
Sony A7rII | Zenitar 50mm 0.95 E | f/0.95
zenitar 50mm 0.95 noctilux zhong yi mitakon SLRmagic sharpness resolution 42mp e-mount a7rIII a7rII bokeh
Sony A7rII | Zenitar 50mm 0.95 E | f/0.95

Continue reading Quick Review: Zenitar 50mm 0.95 E

Review: Canon EF 200mm 2.0 L IS

Introduction

canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Canon EF 200mm 2.0 L IS USM on Sony A7rII

Regular readers know I have a soft spot for lenses like the Canon EF 200mm 2.0 L IS. It was introduced in 2008 and is still the latest lens in its class. So how does it stack up compared to the older 200mm 1.8 L? And how does it work with the new real time AF of the gen 3 cameras? Find out in this review!

Sample Images

canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Sony A7III | Canon EF 200mm 2.0 L IS | f/2.0
canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Sony A7III | Canon EF 200mm 2.0 L IS | f/2.0
canon ef 200mm 2.0 l is usm sony 42mp high res review 1.8 comparison sharpness bokeh resolution brenizer
Sony A7III | Canon EF 200mm 2.0 L IS | f/2.0

Continue reading Review: Canon EF 200mm 2.0 L IS

Zeiss Batis Sonnar T* 85mm f1.8: A Review

The Zeiss Batis 1.8/85mm lens has generated less excitement than any other Batis. Perhaps because it falls between the stools of two competitors: the excellent and cheaper Sony 1.8/85, and the Sony G Master 1.4/85. People think if you don’t want the GM lens, with it’s beautiful bokeh and low mechanical vignetting, you should maximise your savings get the Sony.

Often in the introduction to reviews we write teasers – Is this true? Read on to find out!! No teaser here. It’s not true. By all means get the Sony if you aren’t up for the added cost of the Batis. But the Batis is a great lens, worth the price if you can easily afford it and are looking for an all-rounder. Now for the teaser: read on to find out why.

Samples

Continue reading Zeiss Batis Sonnar T* 85mm f1.8: A Review

135mm legacy Shoot out: SMC Pentax-M f/3.5 vs Canon nFD f/3.5 vs. Panagor f/2.8

Shoot out: SMC Pentax-M 135mm f/3.5 vs. Canon nFD 135mm f/3.5 vs. Panagor PMC auto tele 135mm f/2.8

In my search for a compact but good budget telelens I came across the SMC Pentax-M 135mm f3.5 and the Canon newFD 135mm f/3.5. Later, I also found a Panagor PMC auto tele 135mm f/2.8 in Canon FD mount. These lenses are cheap, light, and small, but how do they perform?

Disclaimer: I only tested one sample of the Canon and Panagor, and two samples of the Pentax. Since these lenses are old there might be more sample variation than usual, other samples might perform slightly better or worse. Both Pentax samples displayed similar performance. 

Left to right: Panagor, Canon, Pentax

Specifications

Specifications Canon newFD 135mm f/3.5 SMC Pentax-M 135mm f/3.5 Panagor PMC auto tele 135mm f/2.8 (FD)
Diameter 63 mm 63 mm 61 mm
Length 85 mm 66 mm 88 mm
Filter diameter 52 mm 49 mm 55 mm
Weight (ex. Adapter) 325 g 270 g 411 g
Aperture f/3.5-32 f/3.5-32 f/2.8-22
Minimal focus distance 1.3 m 1.5 m 1.5 m
Elements/groups 4/4 5/5 4/4*
Aperture blades 6 8 6

(*Based on the optical design of this lens for other mounts)
Continue reading 135mm legacy Shoot out: SMC Pentax-M f/3.5 vs Canon nFD f/3.5 vs. Panagor f/2.8