The Contax Zeiss 4.5-5.6/100-300 T* MM is a telephoto lens that hit the market in the mid 1990’s. It was also one of the last lenses that were designed for the Contax/Yashica mount. It is rare because it was very expensive in a time when autofocus telephoto lenses were already available. Lets have a closer look at this exotic legend.
The Zeiss Batis 2/40 CF is a lens of a very popular focal length / aperture class that was missing in the FE lineup from the beginning. I am still surprised to see that it took so long to get a lens in its class with autofocus. Personally, this lens fills an important gap in my lens lineup. I have high expectations in consideration of its price point and its classy name, let’s check if it can live up to that.
The blogosphere melted down with frustration when the 135mm Batis was announced. Too slow and too expensive was the common verdict. But it’s also much lighter than the fastest medium teles, and faster and more convenient than the smallest. So is this lens the ideal compromise, or is it stranded uselessly between the fastest and the smallest? That will depend on performance, and handling. This review looks at just those issues.
Images can be seen and downloaded in full resolution here.
The Zeiss ZM 35mm 1.4 T* Distagon is is often referred to as being one of the best 35mm lenses available, combining high sharpness as well as microcontrast and smooth bokeh in a small yet very pricey package. But is it really worth the asking price when used on the A7 series cameras? Let us find out!
Update 03/06/17: sharpness section updated (performance with 5m PCX filter included), sample images added, bokeh section updated, alternatives section updated, conclusion updated
The “Hollywood-Distagon” 2/28 is one of the few lenses with a nickname. It is an adapted cinematic lens design for the Contax SLR cameras, but does it’s performance live up to the cool nickname?