As third lens of the prestigious Otus lineup, in 2016 Zeiss released the Zeiss Otus 28mm 1.4 Apo Distagon. At that time it was the biggest, heaviest and most complex 28mm fullframe lens ever seen and it came with an eye watering price tag of $5.000, putting it far ouf of most people’s reach. On the used market you can now find this lens for less than half that – still a lot of money – is it worth saving up for this lens? Let’s try to find out!
In the SLR era it wasn’t easy to find ultra wide angle lenses and it was even more difficult to find decent, affordable ones. The Tokina 17mm 3.5 SL RMC was one of these few options. Back in the day I used it on my D700, looking for a wide angle lens for my analogue FM2 now, I thought it was a good idea to revisit this compact vintage lens.
The Carl Zeiss Jena 135mm f/3.5 is a vintage lens, originally designed in 1929. Renowned for its simple yet ingenious design and impressive sharpness, it’s also celebrated for its remarkably light weight. Historically, 135mm has been the classic focal length for portrait photography, and the most popular telephoto focal length for most photographers. Therefore almost all of the lens manufacturers had at least 2 of them, a f/2.8 and a f/3.5, many offered other speeds in between or even faster than 2.8. The Sonnar design, with its compact size, made it a popular choice for photographers on the move. While Carl Zeiss produced numerous Sonnar 135mm lenses, other manufacturers have also developed their own Sonnar-inspired lenses incorporating modern technology. Despite its historical significance, I found the Carl Zeiss Jena 135mm f/3.5 price more reasonable than other coveted vintage lenses, prompting me to purchase one for testing. (I bought mine for €10 but prices normally start from €20)
I tested this lens on a 46 Mp Nikon Z 7II (Sample images Nikon Z6 and Nikon Zf)
You can see this review as a YouTube video here!
Introduction
The Meyer-Optik Görlitz Trioplan 50mm f/2.9 is a legendary vintage lens from the 1930s, known for creating dreamy background blur with soap bubble bokeh. I’ve been very curious about this lens and now I have one to test and share my experience with you.
This MOG Trioplan 50mm f/2.9 is a lens with a, once upon a time, much-used formula, the Cooke triplet. It consists of two biconvex lenses on the outer edges and a biconcave lens in the middle.
This seemingly simple design offers some surprising characteristics that have attracted both manufacturers and photographers for decades. Let’s delve deeper and explore what makes this lens so special!
I tested this lens on a 46 Mp Nikon Z 7II (Sample images with full-frame Nikon Zf and APS-C Nikon Zfc)
You can see this review as a YouTube video here!
At the beginning of the 1990s Nikon released two special portrait lenses featuring a “Defocus Control” mechanism, which allows you to make the bokeh smoother or harsher. This Nikon AF-D 105mm 2.0 DC is the shorter of the two DC lenses and In this review I will tell you how it works and if it is actually useful.
