Sigma 20-200mm 3.5-6.3 DG Contemporary on Sony A7rII
You haven’t seen (m)any reviews of superzoom lenses on this blog so far, because traditionally many of those ~10x zoom lenses were either lacking in terms of optical performance (e.g. Sony FE 24-240mm 3.5-5.6 OSS) and/or I personally didn’t find the focal length range particularly useful, often starting at 28mm (e.g. Tamron 28-200mm 2.8-5.6 Di III RXD). Furthermore, if you want to review such lenses properly, it takes a lot of time and effort, equal to reviewing several prime lenses.
With its unique focal length range this Sigma 20-200mm 3.5-6.3 DG Contemporary intrigued me though, but can the performance of such a bold design be any good? I ultimately decided to buy one and see for myself how it performs, so here we are.
We summarize our experience with all the native E-mount and a few legacy lenses in the 85-200mm bracket for the Sony A7/A9/A1 series to give you a compact and independent resource for choosing the best portrait lens for your needs.
Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. No fancy trips and meals.
Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market.
If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.
If you purchase the lens through one of the affiliate-links in this article we get a small compensation with no additional cost to you.
Last update: May 2026, Meike 85mm 1.4 FF STM added, Viltrox AF 85mm 1.4 Pro added, Viltrox AF 85mm 2.0 Evo added, Sigma 135mm 1.4 DG Art added, Laowa 200mm 2.0 AF C-Dreamer added, Sigma 200mm 2.0 DG OS Sports added, Zeiss Otus 100mm 1.4 added, many additional changes
By mid 2026 we have seen a lot of lenses from the Chinese manufacturers: some with class leading optical performance, some with unique specifications, some very affordable. There is one thing we haven’t seen yet though (at least not that I can recall): an autofocussing zoom lens. I would have first expected a lens like that from Viltrox, Laowa or 7Artisans, but it is Thypoch – so far specialized in all manual M-mount lenses – bringing a lens like this to the market: the Thypoch 24-50mm 2.8 Voyager. Did they succeed in designing a lens like this, or was it too ambitious? Let’s find out together in this review!
Kodak Ektachrome E200 is a daylight slide film whose production ceased a very long time ago. I got my hands on a roll (expired in 2009), so let’s see what we are missing out on these days. Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Today I’m looking at another vintage lens: the Super Multi Coated Takumar 28mm f/3.5, made by Asahi Optical Co. before the company became Pentax. Over the years, this lens has earned a legendary reputation among vintage wide-angle lenses, praised for its sharpness and coatings that were considered exceptional for their time. Naturally, I wanted to see if the hype was real. Does it still hold up today, or is it simply a relic carried by nostalgia? Let’s find out.
Sony α | Leica M | Nikon Z/F New articles every week
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