Review: Leica 50mm 0.95 Noctilux-M Asph

October 15, 2023 BastianK 15 Comments

Introduction

leica 50mm 0.95 f/0.95 m 24mp m11 m10 m10r sharpness contrat resolution bokeh vignetting review — Leica 50mm 0.95 Noctilux-M Asph on Leica M10

For one decade (2008-2018) the Leica 50mm 0.95 Noctilux-M Asph was Leica’s most expensive M-mount lens and it is still the fastest lens in their line up to this day.
Now in 2023 there are many f/0.95 lenses from China available for your mirrorless camera of choice, but in 2008 – when most people were using (D)SLRs – this was a unique offering and something you could only find in the M-system.
But is this lens (still) worth the asking price? Let’s try to find out.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.

This lens is also part of my Comparison of 6 Super Fast 50mm M-mount Lenses together with the Zhong Yi 50mm 0.95 M, the Voigtländer VM 50mm 1.0 Nokton, MS-Optics 50mm 1.0 ISM, Mr. Ding 50mm 1.1 and Voigtänder VM 50mm 1.2 Nokton.

Sample Images

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photography, The creative process

How to: Create Environmental Portraits

October 14, 2023 BastianK 26 Comments

Introduction

laowa 35mm 0.95 worlds fastest lens review bokeh 42mp 61mp laowa venus optics venuslens fullframe contrast resolution bokeh optical vignetting fall off — Sony A7III | Laowa 35mm 0.95 | f/0.95

With lenses like the Sony FE 24mm 1.4 GM, Sigma 35mm 1.2 Art DG DN, Laowa 35mm 0.95 Argus and the Sony FE 50mm 1.2 GM in the E-mount lens lineup and the ongoing Instragram hype it might be a good time to talk a bit about environmental portraits.
What is an environmental portrait and what is the difference compared to a normal portrait? Which lenses work best? Which mistakes I made in the past but you can already avoid today?
These are the questions I will try to answer in this article.

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7Artisans, Review, Sony E-mount

Review: 7Artisans 9mm 5.6

October 10, 2023 BastianK 11 Comments

Introduction

7artisans 9mm 5.6 fullframe widest lens rectilinear contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a9 — 7Artisans 9mm 5.6 on Sony A7rII

While the Laowa 9mm 5.6 FF-RL is one of my favorite lenses, I am very well aware that a 9mm fullframe lens is not for everyone and most certainly a niché lens, which is why I was very much surprised to see 7Artisans offering their own 9mm 5.6 lens. Who makes the better 9mm 5.6? Let us try to find out in this review!

The optical and most of the mechanical construction of this 7Artisans 9mm 5.6 lens is identical to the Brightin Star 9mm 5.6, which features an additional rear filter thread, so be sure to check out its review as well.

Sample Images

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Analogue, Leica, Leica M, MS-Optics, Voigtlander

Analogue Adventures – Part 26: Kodak Portra 800 ECN-2

October 10, 2023 BastianK 6 Comments

kodak portra 800 analogue leica m6 contax canon fd olympus om — Kodak Portra 800

In 2023 Kodak Portra 800 is the fastest (or rather most sensitive) color negative film that is still in production. Ever since using that awful Cinestill 800T I was curious what results from a real ISO 800 color film will look like, so here we are.
Exposed as ISO400. Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

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Leica M, Minolta, MS-Optics, Review

Review: Minolta/MS-Optics 40mm 1.7 Rokkor-QF

October 6, 2023 BastianK 12 Comments

Introduction

review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting — Minolta/MS-Optics 40mm 1.7 Rokkor-QF on Leica M10

In 1971 – two years before the Leitz/Minolta CL with its 40mm 2.0 lens – Minolta released the Hi-Matic E, a compact fixed lens 35mm rangefinder camera with a 40mm 1.7 Rokkor-QF lens.
While this lens is manual focus its aperture is being controlled electronically, which is why it is very difficult to turn it into an interchangeable lens that can be used on other cameras.
There might be only one person crazy enough to salvage the lens elements from such a Hi-Matic E camera, design a new housing for them and adding a manually controlled aperture diaphragm and that is Miyazaki Sadayasu from MS-Optics.
I came across one of these rare lenses in a small camera shop in Hong Kong and as this was a bit of a “once in a lifetime opportunity” I bought it without really knowing what I am getting myself into, so here we are.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.