Category Archives: Sony E-mount

Review: Voigtlander 15mm 4.5 E Super Wide Heliar

Introduction

Sony A7s with Voigtländer 15mm 4.5 Super Wide Heliar E Aspherical
Sony A7s with Voigtländer 15mm 4.5 Super Wide Heliar E Aspherical

The Voigtländer 15mm 4.5 Super Wide Heliar E aspherical III is the first native E-Mount lens by Voigtlander. As there are three adapted Voigtlander lenses in my basic A7s-kit  – see my reviews – I simply had to try this one out!
Last Update:
Review finised (new Sample images, Use for astrophotography and Conclusion added)  (05/10/16)

Sample Images

schloss solitude stuttgart castle chateau mercedes voigtlander 15mm 4.5 sony e mount super wide heliar
Sony A7s | Voigtländer 15mm 4.5 SWH E | f/11 | full resolution
voigtlander 15mm 4.5 super wide heliar voigtländer sony a7s astro astrophotography astroscape coma milkyway milky way star stars
Sony A7s | Voigtländer 15mm 4.5 SWH E | f/4.5 | ISO6400 | 30s | higher resolution

Continue reading Review: Voigtlander 15mm 4.5 E Super Wide Heliar

Review: Zeiss Loxia 2/35 T* Biogon

Introduction

Sony A7s with Zeiss Loxia 35mm 2.0
Sony A7s with Zeiss Loxia 35mm 2.0

The Zeiss Loxia 35mm 2.0 Biogon is one of Zeiss’ manual focus lenses specifially designed for E-mount cameras. The modern design, the aperture “de-click” feature and the transfer of Exif-data sets it apart from adapted lenses. Read on to learn how it fares optically.
Update: conlusion updated (06/05/2016)

Sample Images

sunstars zeiss loxia 35mm 2.0 fe e blue hour vernazza italy cinque terre sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/11 | panorama from 5 shots | higher resolution
close up zeiss loxia 35mm 2.0 bokeh blossom kirschblüte cherry sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/2 | full resolution
architecture loxia zeiss 35mm 2,0 biogon sony a7s
Sony A7s | Zeiss Loxia 35mm 2.0 | f/2 | full resolution

Continue reading Review: Zeiss Loxia 2/35 T* Biogon

Review: Zeiss Loxia 2.8/21 Distagon T*

20151217-DSC06551

Since the introduction of the Contax Distagon 2.8/21 in the early 1990’s, the 21mm lenses from Zeiss have a long and glorious history of being some of the best wide angle lenses in the world. While the Loxia 2.0/35 and the Loxia 2.0/50 are refined ZM-Designs, the Zeiss Loxia 2.8/21 is the first Loxia lens that features a new optical design. Lets have a look if the Loxia 2.8/21 can keep the heritage alive.
31/05/17 Update by Bastian: I have been using this lens regularly for a year now and Jannik asked me if there is anything I would like to contribute to his review, so I added a few notes and sample images.

Sample Images

Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II
DSC09818
Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II | Full Size
DSC06649
Zeiss Loxia 2.8/21 | f/2.8 | ISO 100 | Sony A7R

Continue reading Review: Zeiss Loxia 2.8/21 Distagon T*

Review: Voigtländer 12mm 5.6 Ultra Wide Heliar

Introduction

ultra wide heliar a7 series 12mm 5.6
Sony A7s with Voigtländer Ultra Wide Heliar 12mm 5.6 and VM-E close focus adapter (Helicoid)

The Voigtländer 12mm 5.6 Ultra Wide Heliar is actually one of the lenses I bought a camera from the A7 series for in the first place. It is worth to mention though, I am reviewing the old M39 version here. The newer Leica M version is optically the same, although there are other differences – apart from the lens mount – which I will talk about at the end of this review.

Sample Images

castle mannheim a7s 12mm 5.6 voigtländer ultra wide heliar
Sony A7s | Voigtländer Ultra Wide Heliar 5.6/12 | f/11 | full resolution
maulbronn monastery unesco world heritage 12mm 5.6 voigtländer a7s
Sony A7 | Voigtländer Ultra Wide Heliar 5.6/12 | f/11 | full resolution
abstract disneyland 12mm 5.6 ultra wide heliar voigtländer sony a7s
Sony A7s | Voigtländer Ultra Wide Heliar 5.6/12 | f/8

Continue reading Review: Voigtländer 12mm 5.6 Ultra Wide Heliar

Test: $20 Minolta MC 1.7/55 vs $1000 Zeiss 1.8/55

55erIn this comparison I want to compare two very different lenses.

The Minolta MC Rokkor-PF 55mm 1:1.7 was introduced in 1968 and it was always an affordable lens. Today it usually sells for around $20 at ebay.com (affiliate link).
I like it because it has very nice bokeh, the nice focusing feel and the small size. I is not one of my sharpest manual lenses, the Canon FD 1.4/50 for example is noticeably sharper but it has very nice character, not far away from the much heavier and more expensive Minolta MC 1.2/58.

The Sony FE 1.8/55 ZA was introduced 45 years later in 2013 and it costs around $1000 or 50 times as much as the Minolta. It has received very positive reviews and is considered to be one of the best normal lenses available today.

The question I try to answer with this test is: How different are the results I can expect from the lenses? I will look at smaller images optimized for the web but also at 100% crops to judge print quality.

All images are developed from raw and I used a tripod unless I mention otherwise. Please click on them to see them in full size (1500px wide).

Scene 1: Bokeh and Sharpness in the center wide open

DSC09267

The same settings applied to the image taken with the Minolta 1.7/55

DSC09270

Continue reading Test: $20 Minolta MC 1.7/55 vs $1000 Zeiss 1.8/55