I have already been talking about editing pictures with the help of profiles in the past in the articles How I edit my pictures and Emulating Filmlook. This time I will have a look at the Cobalt Image profiles.
Continue reading Review: Cobalt Image Basic Profiles, Film and Digital Emulations
Modern lenses are too good, free of most optical aberrations even at their maximum aperture. This led to a whole new market emerging offering all kind of accessories to make your pictures look worse: kaleidoscope filters, prisms, streak filters and black mist/diffusion filters, the latter being what we will have a look at today.
When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 2 rolls.
Continue reading Analogue Adventures – Part 7: Cinestill 800T
For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.
Continue reading Analogue Adventures – Part 6: Emulating Filmlook
A small company with the name of Silbersalz35 from Stuttgart is offering repacked Kodak Vision 3 cinema film to be used in ordinary still photography 35mm cameras. They offer four different films: 50D, 200T, 250D and 500T which I all tried. There are some quirks – but also a lot to like – so let’s have a closer look.
Processing and scanning was done at Silbersalz35 in Germany.
Update: in the end of 2022 Silbersalz35 changed their scanning procedure, now you get 10mp files with the option of getting 140mp files for additional money.
Continue reading Analogue Adventures – Part 5: Silbersalz35 Films