This is the first part of a new series in which we portrait amateur photographers just like us who inspire us and who share our passion for photographing with manual lenses.
We decided to test our concept on ourselves first, initially we didn’t intend to publish it but since we liked the product we decided to publish it. So don’t be surprised by me answering my own questions ;).
Hi Phillip, can you tell us a little bit about yourself and how you came to use manual lenses? P: I am a student from Germany and I bought my first DSLR in 2006. In September 2011 I bought a used Nex-3 for a little over 100€ to use some of the cheap Minolta Rokkors I owned on a digital camera. I fell in love with my manual lenses instantly. Suddenly I could afford really good primes while before I was limited to slow, cheap zooms! So much more creative freedom.
I also enjoyed the new, slower but more conscious process and I saw a very quick progression in my own skills at that time. I hardly touched my Canon after that.
I was a gear-head before but now I could discover so many thousands of manual lenses no one had really tested on a digital camera ever before so I started my quest to discover learn as much about those manual lenses as possible. First I published my findings in forums until I started my own blog in early 2014 which has taught me a lot.
Here are a few images from when I started to use manual lenses back in early 2012:
As many of you may have noticed when reading my reviews I am a former Nikon DSLR-user. In the past I had a D40, D5000, D300, D700 and still have a D800 (which is also for sale right now).
I was never unhappy with the results I got from these cameras and I think the Nikon engineers are the best at getting the most out of the Sony sensors. Still I ended up selling most of my Nikon gear. In case you are interested to find out more about this story be welcome to read on!
In the film era a vast amount of filters was needed to alter the colours, the temperature or to add certain effects to the photos. In digital photography many of these filters have become pretty much useless as they can be recreated in post processing with the added bonus of more control over the effect without any disadvantages.
But there are also some useful filters which can’t be fully recreated in post processing and still have a place in digital photography and these are the ones I’m going to talk about. Update 09/27/2016: at Photokina 2016 in Cologne I checked out all the big filter manufacturers and have updated some sections accordingly. I am also working closely with NiSi filters now – not just because I think their filters offer the best quality – but because they listen to their customers and I hope to be able to help them develope the first holder I find nothing to complain about 🙂
The Leica Summicron-M 90mm 2.0 in the version reviewed here has been Leica’s top of the line portrait lens from 1980 to 1998. In search for a decent yet fast and small portrait lens for the A7 series I decided to give this one a try, so read on to find out how it fared and if it can still be found in my bag.
For me it has been a great practice to visit the same subject close to my home again and again and it has taught me many things:
How different lighting affects images, until today I am often astounded how much light can affect my images and I constantly learn about new types of light and with which subjects they work
It is a good way to improve compositional skills, because you can compare different compositions of the same scene an see which compositions worked and which did not
It helps to discover new perspectives, with time the known perspectives will become boring and I will feel an urge to discover new ones
Well that’s at least how it works for me, but I think it won’t be that different for you. I wrote this article mostly to reflect on my own photography but I hope it might give you an idea or two as well.