Adapters for Manual Lenses on the Sony a7 series: The Guide

There are many good reasons to adapt manual lenses to the Sony A7 series cameras. To do so you need an adapter and this article will help you to choose the right one.

We are three guys from Germany who have adapted manual lenses for many years now. By using several dozen adapters over the years we have learned the hard way, that not all adapters are created equal. We hope that the money we spent on bad adapters will help you to avoid annoying miss-buys we experienced.

In the following two parts we tell you why you need an adapter in the first place, and which issues can arise with adapters. If all you need is the right adapter for your lens you can simply jump to Adapter Manufacturers].

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Tokina Firin 20mm F2 FE Review: A good deal?

The Tokina Firin 20mm F2 is Tokina’s first lens for the E-mount and currently the fastest wide angle in the ~20mm range for the system. Read my in-depth review to decide if it could be a good addition to your camera bag.

 Image Samples
You can find all images shown in this review in full resolution in this Tokina Firin 2/20 flickr album.

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Review: Zeiss Batis Apo Sonnar T* 135mm f2.8

Introduction

The blogosphere melted down with frustration when the 135mm Batis was announced. Too slow and too expensive was the common verdict. But it’s also much lighter than the fastest medium teles, and faster and more convenient than the smallest. So is this lens the ideal compromise, or is it stranded uselessly between the fastest and the smallest? That will depend on performance, and handling. This review looks at just those issues.


Sample Images

Images can be seen and downloaded in full resolution here.

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Sony A6500 vs. Sony A7II comparison – which one is the smarter choice?

With the Sony A6500, Sony has entered the terrain of semi-professional crop cameras. The camera is significantly higher priced than other Sony APS-C cameras, and is directly competing with other smaller format flagship cameras like Fuji X-T2, Nikon D500, Olympus OMD-EM1 Mk2 or the Canon Eos 7D Mk2.

Furthermore, the Sony A6500 is now similarly (or even higher) priced than the Sony A7II. This leaves open the question for many people as to whether they should really spend that much on an APS-C camera, or if they should get a full frame body instead. The comparison is obvious, and legitimate, because the cameras share a few key specifications – like sensor resolution, mount, and sensor stabilization. Let’s check what sets these cameras apart from each other.

Sony A7II | Sony FE 1.8/55 ZA
Sony A6500 | Sony 1.8/24
Sony A6500 | Sony 1.8/55 ZA

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Review: Olympus OM Zuiko 50mm f1.2

Introduction

A super fast fifty millimetre lens can be a lot of fun. But arguably it’s not the best all around type of lens to have; it’ll be bigger and heavier than a more modest speed fifty, and likely not as good stopped down. It’s more of an occasional use specialty lens. So it makes sense not to spend vast sums for a Leica Noctilux. No-one makes a modern f1.2; and if and when they do it will no doubt be extremely expensive and very big and heavy. That makes the better  legacy 50mm f1.2 lenses well worth investigating.

This review is of one of the better contenders: The OM Zuiko 50mm f1.2. It has a reputation for being usably sharp in the middle wide open, and sharpening up to decent overall performance stopped down. Does it live up to this reputation? Read on!

Sample Images

High resolution versions of the samples can be found at http://www.davidbraddonmitchell.com/Varia/Zuiko1250/

Specifications

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