All posts by Jannik Peters

I am a passionate photographer from northern Germany and I love landscape, architecture, travel, portrait and family photography. I use manual lenses but I also enjoy the comfort of autofocus lenses, therefore both can be found in my bag.

The Manual Photographers Series Part 0.3: Jannik Peters

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 Hi Jannik,
can you tell us a little bit about yourself and why you use manual Lenses?

Jannik: I am an automotive engineer from Wolfsburg, Germany. I started out with an Sony Alpha 200 in 2008 but I discovered photography as my passion when the first Sony A7 came out. I preordered it and was fascinated by the ability to revive all the legacy lenses, that were “dead” for a long time. My first manual lens was a Canon nFD 1.4/50 which was an eye opener for me. At this time, I only owned the Sony FE 3.5-5.6/28-70 kit lens and I was never really satisfied by it. The sharpness and the creative potential of the fast aperture combined with the bargain price (50€) were amazing. I added lots of Canon FD lenses soon and started to discover other systems like Olympus OM and especially Contax/Yashica as well. With some experience, I found the different rendering styles of specific lenses and I am happy that I can choose between several lenses depending on the look that I want to create.

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Sony A7 | Canon nFD 2.8/24mm | Na Pali Coast, Kauai
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Sony A7 | Samyang 2.8/14mm | San Francisco

Continue reading The Manual Photographers Series Part 0.3: Jannik Peters

Review: Contax Zeiss Distagon 2.0/28 T* AEG (C/Y)

DSC01741The “Hollywood-Distagon” 2/28 is one of the few lenses with a nickname. It is an adapted cinematic lens design for the Contax SLR cameras, but does it’s performance live up to the cool nickname?

Sample Images

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Sony a7II | Distagon 2/28 | f/2 | full resolution
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Sony a7II | Distagon 2/28 | f/2 | full resolution
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Sony a7II | Distagon 2/28 | f/8 | full resolution

Continue reading Review: Contax Zeiss Distagon 2.0/28 T* AEG (C/Y)

Review: Samyang 2/135 ED UMC

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The Korean lens manufacturer Samyang has become popular for affordable and optically good lenses in the last few years. The Samyang 2/135 is one of the latest additions to their lineup. It is on the high end of their price scale – does this reflect in high optical performance?

Sample Images

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Sony a7ii | Samyang 2/135 | f/2 | full resolution
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Sony a7ii | Samyang 2/135 | f/2 | full resolution
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Sony a7ii | Samyang 2/135 | f/2 | full resolution

Continue reading Review: Samyang 2/135 ED UMC

Review: Zeiss Loxia 2.8/21 Distagon T*

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Since the introduction of the Contax Distagon 2.8/21 in the early 1990’s, the 21mm lenses from Zeiss have a long and glorious history of being some of the best wide angle lenses in the world. While the Loxia 2.0/35 and the Loxia 2.0/50 are refined ZM-Designs, the Zeiss Loxia 2.8/21 is the first Loxia lens that features a new optical design. Lets have a look if the Loxia 2.8/21 can keep the heritage alive.
31/05/17 Update by Bastian: I have been using this lens regularly for a year now and Jannik asked me if there is anything I would like to contribute to his review, so I added a few notes and sample images.

Sample Images

Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II
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Zeiss Loxia 2.8/21 | f/5.6 | ISO 100 | A7II | Full Size
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Zeiss Loxia 2.8/21 | f/2.8 | ISO 100 | Sony A7R

Continue reading Review: Zeiss Loxia 2.8/21 Distagon T*