
There is an abundance of manual 1.4/50 lenses available, is there anything which makes the Minolta MC 1.4/50 special? That’s the question I try to answer in this review.
Sample images
Images are linked to the full resolution, just click on them.

There is an abundance of manual 1.4/50 lenses available, is there anything which makes the Minolta MC 1.4/50 special? That’s the question I try to answer in this review.
Images are linked to the full resolution, just click on them.

The Jupiter-9 85mm 2.0 is actually a copy of the Zeiss Sonnar 85mm 2.0 and was produced in the UDSSR after WWII. This is my favourite among the Jupiter lenses tested so far, read on to find out why!



The Zeiss Planar was one of the sharpest normal lenses back in the film days. In this review I check how well it performs on the 24MP Sony a7.
Thanks to Uwe for loaning me the lens and Techart adapter for this review!



Sony a7 | Zeiss Planar 2/45 | f/8 | full resolution

The Jupiter-12 35mm 2.8 is a copy of the Zeiss Biogon 35mm 2.8 and was produced in the UDSSR after WWII. The Jupiter lenses belong to the very few “lowcost” rangefinder lenses, but what do they have in store in terms of optical quality? Read on to find out.



The “Hollywood-Distagon” 2/28 is one of the few lenses with a nickname. It is an adapted cinematic lens design for the Contax SLR cameras, but does it’s performance live up to the cool nickname?



Continue reading Review: Contax Zeiss Distagon 2.0/28 T* AEG (C/Y)