Minolta MD 20mm 1:2.8 vs Canon FD 20mm 1:2.8 – comparison review

I have owned the Canon FD 2.8/20 for about a year now and I am mostly happy with it’s performance. Now I got the chance to test it against the smaller and lighter Minolta MD 20mm 1:2.8. So, how do they compare?


MinoltaCanon

 

Specifications

 Canon FD 2.8/20Minolta MD 2.8/20
Length62mm44mm
Diameter78mm 65mm
Weight305g240g
Filter Thread72mm55mm
Aperture Blades66
Short focusing distance25cm25cm

Continue reading Minolta MD 20mm 1:2.8 vs Canon FD 20mm 1:2.8 – comparison review

85mm comparison- Minolta, Tokina, Canon and Samyang

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Minolta MD 2/85, MC 1.7/85, Tokina 2.5/90 Macro, Samyang 1.4/85, Canon FD 4/80-200 L

 

After I published the Minolta List several kind people offered to lent me Minolta lenses so I had a MD 2/85 and MC 1.7/85 plus several of my own lenses and made this test to see where the strengths and weaknesses of each lens are.

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Bokeh

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I also tested foreground bokeh but the differences here were less noticeable The reason might be that my test setup wasn#t very good. You can find  it here.

Continue reading 85mm comparison- Minolta, Tokina, Canon and Samyang

Tokina AT-X Macro 90mm 1:2.5 Review

In this review I have a look at this popular manual macro lens from the 80’s and test whether it can defend it’s reputation as one of the best macro lenses ever in the digital age.

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Introduction

The Tokina AT-X 90mm 1:2.5 Macro is a manual focus lens, with a maximal magnification of 1:2. It is well know for it’s supposedly great bokeh, it was even nicknamed Bokina because of this.

It was produced in any major mount like Canon FD, Nikon F etc., my copy has a Minolta SR mount.

Their wide range of applications make macro lenses in the 100mm range quite popular, so I will show you in this review if the Tokina AT-X Macro 90 mm 1:2.5 could be a good option for you.

Continue reading Tokina AT-X Macro 90mm 1:2.5 Review

Novoflex Adapter E-Mount Review

Is the Novoflex adapter worth a three digit figure when I can get one from China for 10 bucks? That was the question I had in mind when I bought it.

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Currently I don’t own a single lens with an E-mount for my Sony Alpha 7,  so every lens I use is adapted and I use adapters all the time. Over the last three years I have gained some experience with  cheap adapters but I hadn’t used one of the more expensive ones. So I decided to buy a Novoflex NEX/CAN adapter,  which was made in Germany and put it to the test. Continue reading Novoflex Adapter E-Mount Review

Exploring a subject – Intimate Landscapes

wasserFor me it has been a great practice to visit the same subject close to my home again and again and it has taught me many things:

  • How different lighting affects  images,  until today I am often astounded how much light can affect my images and I constantly learn about new types of light and with which subjects they work
  • It is a good way to improve  compositional skills, because you can compare different compositions of the same scene an see which compositions worked and which did not
  • It helps to discover new perspectives, with time the known perspectives will become boring and I will feel an urge to discover new ones

Well that’s at least how it works for me, but I think it won’t be that different for you. I wrote this article mostly to reflect on my own photography but I hope it might give you an idea or two as well.

Continue reading Exploring a subject – Intimate Landscapes

Canon FD 300mm 1:4 L Review

This is a review of the Canon FD 4/300 L, a 35 years old professional tele lens which gives really nice results on todays mirrorless cameras.

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Introduction

I think the FD 300mm 1:4 L is a great lens, it’s optical performance is close to excellent, it isn’t that big nor too expensive and the handling on the Sony Alpha 7 is quite good.

Continue reading Canon FD 300mm 1:4 L Review

Carl Zeiss Sonnar 135mm 1:1.8 ZA Review

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The SAL135f18z is an marvel of a lens, which gives spectacular results and features AF with some minor drawbacks. In this review I share my experience with it from a personal point of view.

The ZA135 is a high end lens with Sony A-mount: it is big, it is expensive and it is one of the best lenses I ever used.

I used it on my Sony a7 with a Sony LA-EA4 adapter for this revie Continue reading Carl Zeiss Sonnar 135mm 1:1.8 ZA Review

Rolling Review: Carl Zeiss Vario-Tessar T* FE 4/24-70 ZA

This is my now final review of the Sony SEL2470z.

Keep in mind that I do lots of landscape photography so I emphasize certain aspects others won’t find as important and vice versa.

SEL2470Z

SEL2470Z

Introduction

This is the fourth lens released for the Sony FE-System.
In theory it should be good for many applications like reportage or travel photography. In this review I will try to assess how well it performs.

Specifications

Size: (diameter x length): 73mm x 94.5m
Filter Thread: 67mm
Weight: 430g
Minimum Focusing Distance: 40cm
Magnfication:
0.2
Price:

Continue reading Rolling Review: Carl Zeiss Vario-Tessar T* FE 4/24-70 ZA

How I create Images – Part 3: Postprocessing

In party 3 of my series I will  tell you about my approach to post processing. This is my personal approach and there are many different approaches, some of them more sophisticated than mine, but I found that it works quite well for me this way.

In case you haven’t read part 1 and 2 yet, here are the links:
How I create Images – Part 1: looking for motifs and light
How I create Images – Part 2: working with the Sony a7

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I will talk about this image later, but it makes a nice intro

Continue reading How I create Images – Part 3: Postprocessing

Manual Lenses | Sony Alpha