Category Archives: MS-Optics

Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed

kodak gold 200 analogue leica m6 contax canon fd olympus om
Kodak Gold 200

Kodak Gold 200 again? Hasn’t there been an article covering this film already? Yes, but the Silbersalz35 guys started offering a new lab service in 2022 for developing some of the popular C-41 still photography films with the more complex ECN-2 process. But is it a good idea? I wanted to find out, I received the scans, so let’s have a look together.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Update May 2023: more pictures added

kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/8.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 24mm 2.0 | f/2.0 | Kodak Gold 200 ECN-2
kodak gold 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 | f/11 | Kodak Gold 200 ECN-2
hologon leica m contax-g 16mm 8.0 8/16 center filter review sharpness leica m10 m11 sony e-mount adapter conversion sharpness distortion carl zeiss germany
Leica M6 | Hologon 16mm 8.0 | Kodak Gold 200 ECN-2
review minolta ltm m39 leica 40mm 1.7 hi-matic e miyazaki sadayasu modified lens contrast resolution m10 42mp 24mp 61mp m6 analogue contrast bokeh vignetting
Minolta CLE | Minolta/MS 40mm 1.7 | f/8.0 | Gold 200 ECN-2
Voigtländer Cosina 40mm 1.4 1.4/40 mc multi coated sc single comparison review leica m10 m11 m10r sony a7rv a7riv 61mp 42mp 24mp sharpness resolution handling build quality
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/8.0 | Gold 200 ECN-2

Continue reading Analogue Adventures – Part 16: Kodak Gold 200 ECN-2 processed

Leica M10 – The Camera (?)

Introduction

Leica M10 with MS-Optics 50mm 1.0 ISM

Leica M10. The Camera. Photography reduced to its essentials. This is what Leica says about this camera. If you care what I think of it: keep on reading.

Update: this article is now 3 years old and because of it some Leica fanboys still show up outside (or rather in the comment section) with pitchforks and torches. Joking aside, this is one of the most commented-on articles I ever wrote, reason enough to revisit it and see what happened in the meantime and also tackle some arguments from the comment section.

For many people owning a Leica camera is a dream. But why is that so? Is it simply the high price tag, the Bauhaus look or the huge “Made in Germany” writing, not hidden on a sticker at the bottom of the camera, but easily visible on the back?
It surely isn’t image quality or ease of use. You get more of both, elsewhere, for less. This is why Leica cameras are often perceived as vain men’s luxury items, that happen to be able to take photos from time to time.

leica m10 review rangefinder messsucher comparison vergleich sony a7iii a7rii R2 42mp 24mp wide angle portrait
Leica M10 | 7Artisans 28mm 1.4 FE+ | f/1.4
Leica M10 | Voigtländer VM 75mm 1.5 Nokton | 1.5
Leica M10 | Voigtländer VM 75mm 1.5 Nokton | 1.5
laowa 9mm 5.6 ultra wide w-dreamer uwa hyper wide heliar 10mm distortion zero-d
Leica M10 | Laowa 9mm 5.6 | f/5.6
voigtlander vm 21mm 3.5 color skopar leica m10 sony a7rii a7riii a7riv 24mp 42mp 61mp sharpness review contrast resolution
Leica M10 | Voigtländer VM 21mm 3.5 | f/3.5
ttartisan 28mm 5.6 m m-mount pancake review smallest leica contrast sharpness resolution
Leica M10 | TTArtisan 28mm 5.6 | f/5.6

Continue reading Leica M10 – The Camera (?)

Analogue Adventures – Part 15: Kodak Ultramax 400

kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Kodak Ultramax 400

The Ultramax 400 is Kodak’s cheaper – hard to use that term in this context – ISO400 color negative film. This is also reflected by the fact that it is available as 24 exposure film. These days it is just as expensive as any other color negative film and whenever I came across it, it had been sold out shortly after. So I should probably consider myself lucky for having seized the moment and bought a roll at the local camera store – for what felt like way too much for a 24 exposure roll…
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.

kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.0 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/4.0 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Kodak Ultramax 400

Continue reading Analogue Adventures – Part 15: Kodak Ultramax 400

Analogue Adventures – Part 14: Agfa Vista 200 (expired)

agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Agfa Vista 200 Color Negative Film

These days whenever I come across a photo store I check if they have any film stock available, especially some I didn’t use before. In Istanbul I found a store selling these Agfa Vista 200 24+3 which expired 17 years ago. They were cheap enough and for only 2.5 € I could add processing including scanning so I decided to give it a try.
Processing and scanning was done at Karaköy Fotoğrafçı in Istanbul.
Because there were some issues with a few of the scans I had it rescanned by urbanfilmlab in Germany.

agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/4.0 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/11 | Agfa Vista 200

Continue reading Analogue Adventures – Part 14: Agfa Vista 200 (expired)

Analogue Adventures – Part 13: Fujifilm 200

Fuji 200 Color Negative Film

I have mainly been using Kodak films so far, but one day a local store had some stock of Fujifilm 200 available, so of course I bought a roll. During the film era it was a fierce competition between Kodak and Fujifilm, but these days the situation is a bit different it seems…

fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.0 | Fuji 200

Continue reading Analogue Adventures – Part 13: Fujifilm 200