The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton E and after a slight delay just hit the shelves (02/18). The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. What can we expect from Voigtlander’s first classic E-mount lens?
Continue reading Review: Voigtlander 35mm 1.4 Nokton E Classic
The Carl Zeiss Planar 1,7/50 is reputed to be one of the sharpest normal lenses and also the cheapest Carl Zeiss you can buy. In this in-depth review I put it to the test.
You can find these images in full resolution in this Carl Zeiss Planar 1.7/50 flickr set.
The Zeiss Makro-Planar 2/100 is faster than almost any other macro lens and one of the sharpest lenses ever built. Lets put it to the test!
Just click on any image to get to the full resolution version.
The Zeiss Planar was one of the sharpest normal lenses back in the film days. In this review I check how well it performs on the 24MP Sony a7.
Thanks to Uwe for loaning me the lens and Techart adapter for this review!
Sony a7 | Zeiss Planar 2/45 | f/8 | full resolution
The “Hollywood-Distagon” 2/28 is one of the few lenses with a nickname. It is an adapted cinematic lens design for the Contax SLR cameras, but does it’s performance live up to the cool nickname?
Continue reading Review: Contax Zeiss Distagon 2.0/28 T* AEG (C/Y)
